Andy Weir and the Digital Revolution in Publishing
An excerpt from Book Wars: The Digital Revolution in Publishing, published in May by Polity.
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An excerpt from Book Wars: The Digital Revolution in Publishing, published in May by Polity.
Established in 2004, the indie press strives to treat poetry as a genre with “frontlist potential” while also publishing fiction, nonfiction, and literature in translation from new voices.
The literary agent answers questions about submitting story collections, getting an agent’s attention, and querying two agents at the same agency.
The PERIPLUS collective aims to democratize writing and publishing by matching emerging BIPOC writers with established authors and publishing professionals for yearlong mentorships.
Lara Ehrlich, the host of the podcast Writer Mother Monster, debunks the superwoman myth and considers how to balance writing and motherhood.
The critic on how she began writing reviews, how she and the Times staff pick books to cover, and how social media affects her work.
Copy editors are adapting to increasing cultural awareness of racial injustice and new approaches to representing identity on the page. How can their work can help or hinder social change?
To foster a love of reading among kids in North Carolina, Caitlin Gooch started a program through which children can read books to horses.
The first lines of a dozen noteworthy books, including Second Place by Rachel Cusk and The Renunciations by Donika Kelly.
Author Lara Ehrlich, the host of Writer Mother Monster, shares a selection of the best insights and advice offered on the podcast.