Ten Questions for Kimiko Hahn
“You can go with intention, or you can explore where the poem leads you. Where your unconscious leads you.” —Kimiko Hahn, author of The Ghost Forest: New and Selected Poems
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“You can go with intention, or you can explore where the poem leads you. Where your unconscious leads you.” —Kimiko Hahn, author of The Ghost Forest: New and Selected Poems
“I’d love to be the kind of writer who sits down at my desk at a specific and predictable time...and write, but I’ve never been that writer. —torrin a greathouse, author of DEED.
The author of Yaguareté White considers the ethics of found poetry.
The author of Midwhistle contemplates the common ground between jazz music and poetry.
The author of Midwhistle considers how a poem’s title can frame, deepen, or complicate the reader’s experience of it.
“I was stretching to become a different kind of writer, and that took time.” —Justin Torres, author of Blackouts
The author of The Museum of Human History offers a method for moving from short stories to longer-form narratives.
The author of I Do Everything I’m Told considers the role of the breath in poetic composition.
The author of Spoken Word: A Cultural History and The Study of Human Life considers how poets collaborate across time and form.
“You write one poem precisely so that you can write the next.” —Emily Lee Luan, author of 回 / Return