Genre: Poetry

Angel

11.9.21

“Above my desk, whirring and self-important / (Though not much larger than a hummingbird), / In finely woven robes, school of Van Eyck / Hovers an evidently angelic visitor,” writes James Merrill in his poem “Angel.” The speaker in the poem is visited by an angel whose presence stirs up questions about the passive act of writing: “How can you sit there with your notebook? / What do you think you are doing?” This week, write a poem in which the speaker is visited by a watchful, otherworldly presence. Try, like Merrill, to be descriptive about the setting in order to set the mood.

Upcoming Contest Deadlines

Opportunities abound for writers of all kinds in mid-November’s contest deadlines. Prizes with deadlines of November 15 include awards for debut poets, for women writers, and for nonfiction writers who can capture the spirit of Brooklyn on the page. Most offer a cash prize of $1,000 or more; one prize includes travel and lodging expenses to attend the Writers Digest Annual Conference in New York City.

Brooklyn Film & Arts Festival Brooklyn Nonfiction Prize: A prize of $500 and publication on the Brooklyn Film & Arts Festival website is given annually for a work of nonfiction that is set in Brooklyn, New York, and renders the borough’s “rich soul and intangible qualities through the writer’s actual experiences of Brooklyn.” Entry fee: None.

Nightboat Books Poetry Prize: Up to three prizes of $1,000 each and publication by Nightboat Books are given annually for poetry collections. The editors will judge. Entry fee: $30.

Perugia Press Poetry Prize: A prize of $1,000 and publication by Perugia Press is given annually for a first or second poetry collection by a writer who identifies as a woman. Entry fee: $30.

Pushcart Press Editors’ Book Award: A prize of $1,000 is given occasionally for a fiction or nonfiction manuscript that has been rejected by a commercial publisher. The award recognizes “worthy manuscripts that have been overlooked by today’s high-pressure, bottom-line publishing conglomerates.” Entry fee: None.

The Story Prize: A prize of $20,000 is given annually for a short story collection written in English and first published in the United States in the previous year. Two runners-up will receive $5,000 each, and one entrant will receive the $1,000 Story Prize Spotlight Award, given for a collection that merits further attention. Larry Dark and Julie Lindsey will select the three finalists and the Spotlight Award winner; three independent judges will choose the Story Prize winner. Entry fee: $75.

Washington Writers’ Publishing House Poetry and Fiction Prizes: Two prizes of $1,500 each, publication by Washington Writers’ Publishing House, and 50 author copies are given annually for a poetry collection and a short story collection or novel. Writers who live in Washington, D.C., Maryland, or Virginia are eligible. Entry fee: $25.

Writers’ Digest Short Short Story Competition: A prize of $3,000 and travel and lodging expenses for a trip to the Writer’s Digest Annual Conference in New York City is given annually for a short short story. A second-place prize of $1,500 is also awarded. The winners will both be published in Writer’s Digest. Entry fee: $25 (or $30 for entry by December 15).

Yale University Press Yale Series of Younger Poets: An award of publication by Yale University Press is given annually for a poetry collection by a poet who has not published a full-length book of poetry. Carl Phillips will judge. Entry fee: $25.

Rachel Eliza Griffiths on Mule & Pear

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“I pulled down a book by Gayl Jones, Eva’s Man, and I sat down and didn’t get back up until I finished it—and I felt so haunted,” says Rachel Eliza Griffiths about what inspired her third poetry collection, Mule & Pear (New Issues Press, 2011), in this conversation at the 2013 Poets Forum for the Academy of American Poets.

Genre: 

Poets in Person: Robert Pinsky

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“The art of poetry for me is the art of composing a sequence of vowels, consonants, and sentence sounds that will seem moving, meaningful,” says former U.S. Poet Laureate Robert Pinsky in this 2014 episode of Cortland Review’s Poets in Person series, in which he discusses his beginnings as a poet and his philosophy behind writing.

Genre: 

A Single Letter

11.2.21

“I love the I, / frail between its flitches, its hard ground / and hard sky, it soars between them / like the soul that rushes, back and forth, / between the mother and father.” In this line from her iconic poem “Take the I Out,” Sharon Olds describes both the physical shape of the letter and how it represents the self. This week write an ode to a letter of the alphabet. Whether it be the letter I, or a different one, how far can you go in describing this letter and locating the many ways it holds place in your life?

Deadline Approaches for the Red Hen Press Benjamin Saltman Poetry Award

There are two days remaining to submit to the Benjamin Saltman Poetry Award. Administered by Red Hen Press, the prize offers $3,000 and publication for an original collection of poetry. The contest boasts few limiting guidelines and only prohibits entries from writers who are already connected to Red Hen Press or the contest judge.

Using only the online submission system, submit a manuscript of 48 to 96 pages with a $25 entry fee by October 31. Major Jackson will judge. Visit the website for complete guidelines.

Red Hen Press is an independent publisher based in Pasadena, California. In addition to the Benjamin Saltman Poetry Award, the press offers several other awards, including a biennial novella prize and a biennial prize for prose by women writers. Anna V. Q. Ross won the 2020 Benjamin Saltman Poetry Award for her collection Milk Teeth, which is due out next year.

Teresa K. Miller and Amanda Moore

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In this virtual poetry reading hosted by Annie Bloom’s Books, Teresa K. Miller reads from her new collection, Borderline Fortune (Penguin Books, 2021), and Amanda Moore reads from her debut collection, Requeening (Ecco, 2021), both winners of the 2020 National Poetry Series. Moore’s Requeening is featured in Page One in the November/December issue of Poets & Writers Magazine.

Genre: 

The End of Poetry

10.26.21

“Enough of osseous and chickadee and sunflower / and snowshoes, maple and seeds,” writes Ada Limón in her poem “The End of Poetry.” “Enough sorrow, enough of the air and its ease, / I am asking you to touch me.” In this timely poem, Limón uses the repetition of “enough of” to list actions, objects, and experiences that might be considered poetic in order to emphasize what the speaker is willing to do away with for a moment of physical connection. Write a poem that articulates “the end of poetry” for you. What images and phrases would you consider poetic, and what would you want in return if you were to give it all away?

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