Genre: Poetry

Poets House Presents: Ed Roberson

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“Looking down from the window / into the bare augur sycamore tree / in the park across the street / the surprise is how full / of red-winged blackbirds it is…” In this Poets House Presents video, Ed Roberson shares new and unpublished poems still in drafts written during the coronavirus pandemic from his home in Chicago. Roberson is the recipient of the 2020 Jackson Poetry Prize, awarded annually by Poets & Writers to an American poet of exceptional talent.

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Deadline Approaches for Auburn Witness Poetry Prize

The deadline is just around the corner for this year’s Auburn Witness Poetry Prize. Named for the late poet Jake Adam York and sponsored by Southern Humanities Review, the prize is given annually for a “poem of witness.” The winner of the prize will receive $1,000 and publication in Southern Humanities Review, as well as travel expenses to give a reading at Auburn University in October. This year’s judge is Paisley Rekdal.

Using only the online submission system, submit up to three poems with an entry fee of $15 by May 8. The entry fee includes a copy of the magazine. All entries are considered for publication. Visit the website for complete guidelines.

The Auburn Witness Poetry Prize was established after Jake Adam York’s untimely death in 2012. York, an alumni of Auburn University whose writing flourished during his time as a student, “went on to write poems that, with both love and anguish, examined race relations in the South, celebrating the triumphs of the Civil Rights movement and questioning, as a native son of the South, his own complicity in its tragedies.” The award celebrates this work and his legacy. Previous winners of the prize include Teresa Dzieglewicz, Amanda Gunn, and Laura Sobbott Ross.

Louisiana Celebrates Poetry Virtually

For ten years the State Library of Louisiana has celebrated poetry during the month of April for National Poetry Month with a myriad of reading events. This year, the library adjusted their plans due to COVID-19 and stay-at-home orders and continued with their programming virtually.

On Thursday, April 30, the Louisiana Center for the Book in the State Library of Louisiana closed out the month with an online reading as part of their annual “Just Listen to Yourself” event. Louisiana poet laureate John Warner Smith invited six poets from across the state to read their work. Participating poets included Liz Adair, Katie Bickham, David Havird, Brad Richard, Donney Rose, and I was also happy to be asked to join the reading.

The event is typically held at the state’s library in Baton Rogue, but the opportunity to showcase poets from across the state virtually allowed for a wider audience to watch and get to know us.

“The richness of Louisiana poetry can give us solace during these challenging days,” said Louisiana lieutenant governor Billy Nungesser in a press release about the event.

Although Covid-19 poses several challenges for writers, I believe this virtual reading will be an artifact in Louisiana literary history.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Indoor/Outdoor

What comes to mind when you think of indoor activities versus outdoor activities? As the weeks of the coronavirus pandemic lockdown wear on, many have found it necessary to reconsider the traditional boundaries of these divisions. A recent New York Times article featured Michael Ortiz, a “financial executive and recreational endurance athlete” who has been running hundred-mile marathons inside his 960-square-foot apartment in Brooklyn, first running 13,200 laps around his living room rugs in sixty hours, and then on a treadmill. Write a pair of poems; one that focuses on an indoor activity, and one on an outdoor activity. How has your notion of those designations been transformed since the pandemic? Are there new designations you’ve created?

Soft Animal Wounds Part Two

This week I am continuing to write about Mahalia Frost’s collection, Soft Animal Wounds. As each poem pulls at my skin with uncomfortable, sometimes bloody, images, I am increasingly impressed with the consistency and continuity of the writing and themes introduced in this book. Frost’s collection is a healthy fifty-eight pages split into four parts titled “Sleep,” “Gleam,” “Thrash,” and “Bite.” Each part is introduced by a thought-provoking illustration. For example, “Sleep” opens with an image of a human head presenting a dissatisfied facial expression on top of the body of what seems to be a serpent—plus angel wings! Each part includes an odd yet fitting variation of this illustration.

What’s more is that these images are the artwork of Frost—helping us readers understand not only the imagery from what’s written in these poems, but also from what she sees when creating. I can’t say enough about the complexity being offered by this young writer. I am especially fond of the first poem titled “Birdheart” in the “Bite” portion of the book. This poem uses an extended metaphor to describe the heart as a bird:

“its feathers clump together with scabs / sticky in your ooze”

“Bite” also gives my absolute favorite ending to a yet another poem that makes me reflect on myself:

“how could it know of anything / beyond the hollow between your ribs? / how could it want?”

If you can’t tell by now, I highly recommend this collection. InsideOut Literary Arts hosted the book release for Soft Animal Wounds in late February, a few short weeks before social distancing and stay-at-home orders were enforced in Michigan. Because of this, distribution of this collection is currently limited. If you’re interested in getting your hands on this book, reach out to me: Justin@insideoutdetroit.org.

InsideOut is also hosting a digital literary festival called Essential Words: InsideOut’s Louder Than a Bomb Youth Poetry Festival. The virtual events began on April 30 and run through May 7. Hosted by poet LaShaun Phoenix Moore, events include discussions, workshops, and more. Check out the website for more, and follow the activity on Instagram, @LTAB_Essential. I can’t wait to report back on our digital experience next week!

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Upcoming Contest Deadlines

Get a head start this month by submitting to contests with a deadline of May 15. These poetry, fiction, and nonfiction awards include several contests for emerging writers and a prize for a documentary project that features both images and text. All offer a prize of $1,000 or more.

Academy of American Poets James Laughlin Award: A prize of $5,000 is given annually for a second book of poetry by a living poet to be published in the coming calendar year. The winner also receives an all-expenses paid weeklong residency at the Betsy Hotel in Miami Beach, Florida. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Rick Barot, Gabrielle Calvocoressi, and Honorée Jeffers will judge. Entry fee: none.

Academy of American Poets Lenore Marshall Poetry Prize: A prize of $25,000 is given annually for a poetry collection by a living poet published in the United States during the previous year. The winner also receives an all-expenses paid ten-day residency at Glen Hollow in Naples, New York. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Garrett Hongo, Carol Muske-Dukes, and Tim Seibles will judge. Entry fee: $75.

American Poetry Review Stanley Kunitz Memorial Prize: A prize of $1,000 and publication in American Poetry Review is given annually for a single poem by a poet under the age of 40. The editors will judge. Entry fee: $15 (includes a copy of the prize issue).

Carve Raymond Carver Short Story Contest: A prize of $2,000 and publication in Carve is given annually for a short story. The winning story will also be read by three literary agents. Pam Houston will judge. Entry fee: $15 ($17 for electronic submissions).

Center for Documentary Studies Dorothea Lange–Paul Taylor Prize: A prize of $10,000 and publication in the Center for Documentary Studies digital periodical is given annually for a documentary project that incorporates images and text in any genre. The winning piece will also be placed in the Archive of Documentary Arts at Duke University’s Rubinstein Library. Independent and collaborative fieldwork projects are eligible. Entry fee: $60.

Gaudy Boy Press Poetry Book Prize: A prize of $1,000 and publication by Gaudy Boy Press, an imprint of the literary nonprofit Singapore Unbound, is given annually for a poetry collection by an Asian writer. Cyril Wong will judge. Entry fee: $10.

Lost Horse Press Idaho Prize for Poetry: A prize of $1,000, publication by Lost Horse Press, and 20 author copies is given annually for a poetry collection by a U.S poet. Entry fee: $28.

Pittsburg State University Cow Creek Chapbook Contest: A prize of $1,000, publication by Pittsburg State University, and 25 author copies is given annually for a poetry chapbook. Marcus Wicker will judge. Entry fee: $15.

Ploughshares Emerging Writer’s Contest: Three prizes of $2,000 each and publication in Ploughshares are given annually for a poem or group of poems, a short story, and an essay. Each winner also receives a consultation with the literary agency Aevitas. Writers who have not published a book or chapbook are eligible. Ilya Kaminsky, Kirstin Valdez Quade, and Esmé Weijun Wang will judge for poetry, fiction, and nonfiction, respectively. Entry fee: $24 (includes subscription).

Ruminate Janet B. McCabe Poetry Prize: A prize of $1,500 and publication in Ruminate is given annually for a single poem. Katie Peterson will judge. Entry fee: $20 (includes a digital copy of Ruminate).

University of Nebraska Press Backwaters Prize: A prize of $2,000, publication by University of Nebraska Press, and 20 author copies is given annually for a poetry collection. An honorable mention prize of $1,000 and publication by University of Nebraska Press will also be given. Matt Mason will judge. Entry fee: $30.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Thresholes

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“Daily, I remind myself: the future is not dependent / on your inability to describe your undoing.” Lara Mimosa Montes reads from her latest poetry collection, Thresholes (Coffee House Press, 2020), and answers questions about writing as part of the Loft Literary Center’s annual Wordplay festival, held virtually this year.

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