Genre: Poetry

Eight New Orleans Poets to Watch

There are only a couple days left for this year’s National Poetry Month and I wanted to celebrate by highlighting some New Orleans poets and their recorded readings. Some have been created during the COVID-19 quarantine and others showcase the venues we miss visiting. If you’re looking for virtual readings to watch from home, check out the online events in the Literary Events Calendar and follow me on Twitter, @nolapworg.

1. Jessica Kinnison, cofounder of the Dogfish reading series, reads poems for the Virtual New Orleans Poetry Festival 2020.

2. Sunni Patterson reads a poem with musical accompaniment for the Letters From the Porch video series, which brings musicians and performers together to offer gratitude to the medical community.

3. Slam New Orleans member FreeQuency reads her poem “Lessons on Being an African Immigrant in America” at the 2014 National Poetry Slam Finals.

4. Brad Richard reads from his collection Parasite Kingdom (The Word Works, 2019). Richard codirects the LGBTIQ reading series the Waves with poet Elizabeth Gross.

5. New Orleans poet Skye Jackson reads from her chapbook, A Faster Grave (Antenna Press, 2019), for a book launch reading at Malvern Books.

6. Justin Lamb, a former Slam New Orleans member and the program director at Bard Early College in New Orleans, performs “The Friend Zone.”

7. Megan Burns, cofounder of the New Orleans Poetry Festival and Trembling Pillow Press publisher, reads for the Unlikely Salons reading series at the Zeitgeist Theatre and Lounge in Arabi, Louisiana.

8. Gina Ferrara, host of the Poetry Buffet series, reads her poem “The Religion Once But No Longer Shared” at Cafe Istanbul in New Orleans.

Bonus: 826 New Orleans program director Kyley Pulphus offers an online writing workshop for their #agoodtimetowrite series.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

The Houses on My Block: Calypso Editions

Hey, mi gente. I want to get right to the point and keep up the flow of discussion on the publishing houses here in Houston. Throughout the month I’ve written about Arte Público Press, Mutabilis Press, and Bloomsday Literary, so I’ll keep it going today and introduce you to Calypso Editions.

Calypso Editions is the city’s main publishing house focused on translation—getting books written by foreign authors into English. In addition, they publish books of poetry and fiction written in English and are committed to “providing a space for talented, new voices.” One of the main things that has always caught my attention about Calypso Editions is that it is a cooperative! That’s right—it is a nonprofit press that is artist-run, which makes their publishing choices all the more engaging and remarkable.

They are also a community-oriented publishing house. Back in 2017, when PEN America planned out the Writers Resist reading in New York City, Calypso Editions was one of the first organizations that was willing to stand with Houston writers as we planned our own Writers Resist events.

On May 1, Calypso Editions will release The Child Who, a book by Jeanne Benameur, translated from the French by Bill Johnston. This work of poetic prose explores the worlds of a young boy whose mother has disappeared, his father, and the boy’s grandmother. As always, Calypso Editions hopes to introduce yet another wonderful voice to a new audience of English-language readers.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

The Poets & Writers Complete Guide to Being a Writer Launch Party

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To celebrate the launch of The Poets & Writers Complete Guide to Being a Writer (Avid Reader Press, 2020), authors Mary Gannon and Kevin Larimer speak with novelist Nicole Dennis-Benn, literary agent Annie Hwang, publicist Michael Taeckens, and publisher and editor Jamia Wilson about the need for new voices in literature and the ins and outs of the literary world in this online event hosted by the Center for Fiction.

Excavating the Mind

4.28.20

“It’s astonishing to me that there is so much in Memory, yet so much is left out: emotions, thoughts, sex, the relationship between poetry and light,” writes Bernadette Mayer in the introduction to her book Memory (Siglio Press, 2020), featured in the Written Image in the May/June issue of Poets & Writers Magazine. The book presents a collection of photographs and text from 1971 when Mayer shot a roll of film every day for the month of July and wrote in a journal—a record of her consciousness. Taking inspiration from this project, jot down notes describing several images and observations each day this week. Then, write a poem that combines them into a single, sequential mass, a contemporaneous manifestation of your conscious mind.

Soft Animal Wounds Part One

It has been my pleasure to dive into books from Detroit authors during quarantine days and I’m excited to share another book with you this week. Soft Animal Wounds is the first collection by 2019 Detroit Youth Poet Laureate Mahalia Frost. Since her appointment, Frost has become a prominent figure in the Detroit youth poetry community. I am proud of her growth and her work on this collection! Here, I will give you my reflections on the first half of this book.

Soft Animal Wounds dives deep into Frost’s imaginative mind with complex images that throw the reader curveball after curveball. Themes range from self-reflection to relationships with family and the surrounding world. Even when a question isn’t asked, the reader can find a question to explore between the lines. I found myself on my toes through one of my favorite poems early in the book “Ghazal With a Trace of Something Disappearing” with lines like:

“I run inside the crimson oceans of a song”

Frost’s open honesty is felt through many of the ways she chooses to build imagery. Some may find parts painful or grotesque, but Frost finds a way to make everything tie back to a larger meaning—often with commentary on her own relationships.

“...I remember her calling me wound / when we went to the doctors they said mother’s body / was trying to kill her & I sat there quiet like a good wound”

As I near the midpoint of this collection, I am further impressed by the poetic forms that are being explored by Frost. She seems to take a liking to the ghazal form and even has a poem that requires the reader to turn the book horizontally. Dialogue, footnotes, and other writing techniques truly show the growth and dedication of this young poet.

Soft Animal Wounds by Mahalia Frost.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

We Need Diverse Books Emergency Fund Open for Applications

To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

We Need Diverse Books is issuing grants of $500 to members of the children’s literature publishing community “who are experiencing dire financial need,” specifically diverse authors, illustrators, and publishing professionals whose incomes have been affected by the COVID-19 pandemic.

Writers and illustrators who have lost income due to canceled school or library visits, and who have published at least one book-length title for children or teens at a traditional publishing house, are eligible; children’s publishing professionals who have been furloughed or recently laid off from a publisher or literary agency are also eligible. All applicants must identify as people of color, as Native American, or as LGBTQIA+, or have a disability or belong to a marginalized religious or cultural minority; additionally, they must be U.S. residents and at least eighteen years of age.

Using online the online application system, submit information about personal finances, a statement of need, and a recent bank statement. Author and illustrator applicants must also list publication history and provide evidence of the cancellation of at least three school or library visits. Applications are accepted on a rolling basis. Visit the website for complete guidelines.

We Need Diverse Books estimates that applications will be processed within two to three weeks. Applications will be capped at seventy but may be reopened after the judging committee has reviewed the first round.

We Need Diverse Books first emerged as a social media campaign and protest in 2014, which called out the publishing industry for the lack of diversity in children’s literature. We Need Diverse Books has since become a nonprofit organization with the vision to build “a world in which all children can see themselves in the pages of a book.”

Garous Abdolmalekian

Caption: 

In this bilingual reading presented virtually from three cities hosted by Poets House, Garous Abdolmalekian reads poems from his collection Lean Against This Late Hour (Penguin Books, 2020), along with Ahmad Nadalizadeh and Idra Novey, who cotranslated the book from the Persian. Lean Against This Late Hour is featured in Page One in the May/June issue of Poets & Writers Magazine.

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Upcoming Deadline for the Poetry London Prize

Submissions are open for the 2020 Poetry London Prize. This international award, given for a single poem written in English, is run by the British literary magazine Poetry London. The winner will receive £5,000 (approximately $6,170). A second-place prize of £2,000 (approximately $2,468) and a third-place prize of £1,000 (approximately $1,234) will also given. All three winning poems will be published in the magazine’s Autumn 2020 issue and on its website.

Using only the online submission system, submit poems of no more than 80 lines with a £8 entry fee (approximately $10) per poem, or £4 (approximately $5) per poem for Poetry London subscribers, by May 1. For low-income poets, limited free entries are available on a first-come, first-served basis. Poet, critic, and translator Ilya Kaminsky will judge. Visit the website for complete guidelines.

The winners will be notified by July 17 and will be awarded their prizes at the Poetry London Autumn 2020 issue launch reading in September. Previous first-place winners of this competition include poets Romalyn Ante, Liz Berry, and Richard Scott.

BOMB Poetry Contest Open for Submissions

BOMB is open for submissions to its 2020 Poetry Contest. The annual award is given for a group of poems, and the winner will receive $1,000 and publication in BOMB Magazine.

Using Submittable, submit up to five poems totaling no more than 10 pages with a $20 entry fee, which includes a yearlong subscription to BOMB Magazine, by May 3. Visit the website for complete guidelines.

Poet Simone White will judge. White is the author of several books and chapbooks, most recently Dear Angel of Death (Ugly Duckling Presse, 2018); she teaches at the University of Pennsylvania. The winner will be announced on July 31.

Previous winners of the poetry contest include Savannah Cooper-Ramsey, Marwa Helal, and Daniel Poppick.

Published since 1981, BOMB Magazine features conversations between artists of all disciplines. The quarterly print publication is part of the larger nonprofit BOMB, which also produces online content.

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