Aspen Words Literary Prize Longlist, the Covers of Chip Kidd, and More
Jorie Graham on writing poetry in the late season of her life; Publishers Weekly names Carolyn Reidy person of the year; the problem with the poetry industry; and other news.
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Jorie Graham on writing poetry in the late season of her life; Publishers Weekly names Carolyn Reidy person of the year; the problem with the poetry industry; and other news.
“I still have all the keys that are of no use to me...” During the middle of his performance for NPR Music’s Tiny Desk Concert, Chance the Rapper reads a poem he was inspired to write for the occasion called “The Other Side.”
Ron Charles on the current state of political satire; Cassandra Clare lands seven-figure two-book deal; poetry on vinyl; and other news.
In this Motionpoems film, Matthew Zapruder’s poem “Albert Einstein,” from his collection Sun Bear (Copper Canyon Press, 2014), is animated by John Akre. Zapruder’s most recent book, Why Poetry (Ecco, 2017), explores what poems are and how all readers can enjoy them.
Entropy’s picks for the best poetry of 2017; eight reasons your submission strategy sucks; dictionary.com announces its word of the year; and other news.
“If you believe in literature...then you believe that some of these books have the power to transform people and the way they see the world.” Danny Schaffer, a member of the Books Through Bars volunteer collective, which matches and sends requested books to incarcerated people, talks about the importance of access to knowledge, history, and literature in the prison system.
As the landscape and terrain of planet Earth shifts and transforms over time due to impact caused by natural and human forces, some ancient trees, bodies of water, cliffs, and stone formations have disappeared. Taking inspiration from National Geographic’s photo slideshow of natural wonders that are in the process of vanishing or have already vanished, think of a specific situation or physical item in your own life that one day will cease to exist. Write an ode to this ephemeral subject, exploring the idea of transience as part of an inevitable progression.
Julayne Lee is the author of the forthcoming poetry collection, Not My White Savior (Rare Bird Books, 2018). She is a Community Literature Initiative scholar and a Las Dos Brujas alum. She has been published by the Los Angeles Department of Cultural Affairs, Cultural Weekly, and Korean Quarterly. As part of the Writ Large Press #90X90LA project in 2017, she hosted the first-ever reading with adoptees of color in Los Angeles and is launching a writing workshop for those who identify as adopted people of color or racially ambiguous. Lee is cofounder of Adoptee Solidarity Korea – Los Angeles (ASK-LA) and can be found on Twitter @julayneelle.
Since the 1950s, South Korea has produced approximately two hundred thousand overseas adopted Koreans. As we’ve entered adulthood, gathering and connecting through our shared experiences have played important roles in our identity formation and well-being. For some, writing has been a means to navigate our adoption journeys, which at times can be very isolating geographically and emotionally.
In October 2017, over two hundred and thirty adopted Koreans gathered from across the country and around the world to celebrate the twentieth anniversary of the Adopted Koreans Association – San Francisco (AKA-SF) with a conference. A reading with adopted Korean writers highlighted their experiences through poetry, memoir, and fiction.
The reading brought together authors Jessica Sun Lee (An Ode to the Humans Who’ve Loved and Left Me), Marci Calabretta Cancio-Bello (Hour of the Ox), SooJin Pate (From Orphan to Adoptee), and former Fresno Poet Laureate Lee Herrick (Gardening Secrets of the Dead). I also shared poems from my forthcoming collection, Not My White Savior. Our writing documents a variety of perspectives and issues including imagining the Korean families we might have grown up in, interrogating the text of our adoption files, highlighting the approximately thirty-five thousand intercountry adoptees without U.S. citizenship, and questioning our place both with family and in America.
Regardless of some of us having met only via e-mail prior to the reading and having our own unique experiences, our writing resonated amongst one another and with the audience. In the discussion that followed the reading, attendees expressed how meaningful and validating it was to hear our honest, raw words. The emotion in the room signified how giving life to shared experiences that have been suppressed can help us release significant thoughts and feelings, and begin to heal. With an ever-increasing focus on mental health for adopted people, this reading was critical in validating our experiences and bridging the isolating divide some of us have experienced.
My hope is that the bonds we formed through our shared experiences will carry us forward to continue this important work of writing and healing, and in turn provide a means of healing for others in our community. While honesty in writing can be challenging, as Aspen Matis, author of Girl in the Woods (HarperCollins, 2015), has said, “Authenticity sings.” And sing we did.
Thanks to AKA-SF for hosting the reading and to Poets & Writers for sponsoring this important reading.
Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.
Photo: Julayne Lee (Credit: Samantha Magat).In this video produced by the University of Southern California’s Viterbi School of Engineering, professors and students weigh in on whether artificial intelligence has the capacity to write poetry. David St. John, author of The Last Troubadour: New and Selected Poems (Ecco, 2017), and Shakespeare scholar Bruce Smith speak on behalf of human poets.
Longlist for the Tournament of Books announced; recommendations for books about food; Margaret Atwood’s typewriters; and other news.