Genre: Poetry

Eighty-One-Year-Old Poet Wins T. S. Eliot Poetry Prize

Today the widow of T. S. Eliot awarded the annual prize given to honor a poetry book published in the previous year. Eighty-one-year-old Derek Walcott received the fifteen-thousand-pound prize for White Egrets (Farrar, Straus and Giroux).

The Nobel laureate, who was compared last year to Eliot in the New York Times Book Review, was accompanied on the shortlist by Simon Armitage, nominated for Seeing Stars (Faber); Annie Freud for The Mirabelles (Picador); John Haynes for You (Seren); fellow Nobel laureate Seamus Heaney for Human Chain (Farrar, Straus and Giroux); Pascale Petit for What the Water Gave Me (Seren); Robin Robertson for The Wrecking Light (Mariner Books); Fiona Sampson for Rough Music (Carcanet Press); Brian Turner for Phantom Noise (Alice James Books); and Sam Willetts for New Light for the Old Dark (Jonathan Cape).

"More than almost any other contemporary poet, Derek Walcott might seem to be fulfilling T. S. Eliot’s program for poetry," poet Karl Kirchwey writes in his NYTBR review of White Egrets last April. "He has distinguished himself in all of what Eliot described as the 'three voices of poetry': the lyric, the narrative or epic, and the dramatic."

The judges expressed similar sentiments. "It took us not very long to decide that this collection was the yardstick by which all the others were to be measured," said chair of judges Anne Stevenson, whose was joined by Bernardine Evaristo and Michael Symmons Roberts. "These are beautiful lines; beautiful poetry."

January 24

1.23.11

Make a list of objects. One thing should be from your desk, one from your closet, one a body part, one a thing you covet that belongs to someone else, one enormous, one slippery, and at least one that makes an odd or evocative sound. Now, describe each using a simile. Do this twice for each one. Using as many of the similes as you can, write a poem with a title such as “Checklist to Survive a Nuclear Winter” or “Things That Have Nothing To Do With Grief.”

National Poetry Series Author Wins Second Book Prize

Small literary press New Issues Poetry and Prose, operating out of the Western Michigan University in Kalamazoo, has announced the winner of its twelfth annual Green Rose Prize. Texas poet Corey Marks received the two-thousand-dollar prize, given for a manuscript by a poet who has published at least one poetry collection, for "The Radio Tree," which New Issues will publish in the spring of 2012.

The book will be Marks's second poetry collection, following Renunciation, which won the National Poetry Series Open Competition and was published by University of Illinois Press in 2000. Marks, who directs the creative writing program at the University of North Texas, holds a PhD in creative writing from the University of Houston and earned his MFA from Warren Wilson College's low-residency program.

Previous winners include Noah Eli Gordon (chapbook reviewer for Rain Taxi) for A Fiddle Pulled From the Throat of a Sparrow, Joan Houlihan (director of the Colrain Poetry Manuscript Conference) for The Mending Worm, and Martha Rhodes (publisher of Four Way Books) for Perfect Disappearance.

New Issues also accepted runner-up Hadara Bar-Nadav's manuscript "The Frame Called Ruin" for publication in the fall of 2012. Bar-Nadav is the author of the collection A Glass of Milk to Kiss Goodnight (Margie/IntuiT House, 2007) and the chapbook The Soft Arcade (Cinematheque Press, 2010).

Jerusalem Prize Honors Literature of the Individual

The International Jerusalem Book Fair has announced the twenty-fifth winner of the ten-thousand-dollar Jerusalem Prize, given biennially since 1963. Novelist and short story writer Ian McEwan will be given the award honoring "freedom of the individual in society" at the festival this February.

"McEwan’s protagonists struggle for their right to give personal expression to their ideas and to live according to those ideas in an environment of political and social turmoil," the prize jury said in a statement. "His obvious affection for them, and the compelling manner in which he describes their struggle, make him one of the most important writers of our time. His books have been translated into many languages and have enjoyed world-wide success—particularly in Israel, where he is one of the most widely-read of foreign authors."

McEwan, who lives in London, joins previous honorees—all male with the exception of Simone de Beauvoir and Susan Sontag—including Jorge Luis Borges, Mario Vargas Llosa, and Haruki Murakami. Author of the Booker Prize–winning novels On Chesil Beach (Nan A. Talese, 2007) and Amsterdam (Nan A. Talese, 1999), his most recent novel is Solar (Nan A. Talese, 2010).

In the video below, McEwan discusses his latest work.

January 17

1.17.11

What is something you are afraid to write about in your own poems, either because it is too personal, or because you feel it is cliché? Create a character—a swarthy bum, a baker, a dog—and write a narrative poem in which your character addresses this topic. Let the fact that the poem isn’t really about you be freeing.

Poetry Contest Turns Verse to Verses

Memorious, the six-year-old online literary journal, is open for poetry entries to its annual art song contest. One poet will have her work set to music by composer Luke Gullickson and performed at an event in Chicago, cosponsored by local group Singers on New Ground (SONG). The winning poem, along with a recording of the musical adaptation, will also be published in Memorious.

"The last quarter-century has seen an explosion of American composers writing art songs for our own time and nation," writes SONG director Eric Malmquist in an introduction to the genre of the art song—technically a poem set to music for voice and piano. "Composers are still setting poetry to music, but many are also setting non-poetic works, including newspaper columns, recipes, listings from 'missed connections' on Craigslist, and crazed writings found on a Chicago bus."

Inspired? Poets can submit via e-mail three to six poems, each of no more than thirty lines, or one long poem of no more than one hundred lines along with a brief bio (there is no entry fee). The deadline is February 12.

For more about the project, entry guidelines, and an audio-visual experience of the winning poem from last year—"Blackwater" by Jill McDonough with musical composition by Randall West—visit the Memorious blog.

Spring Creek Project

The Spring Creek Project offers two-week collaborative residencies in August and September to pairs of poets, fiction writers, and creative nonfiction writers at the Cabin at Shotpouch Creek in the Oregon Coast Range. The residency is open to writers who wish to pursue a collaborative project, and whose work takes inspiration from the natural world. Residents are provided with lodging in a two-bedroom cabin and a $250 stipend each.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
April 20, 2025
Rolling Admissions: 
ignore
Application Deadline: 
April 20, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
April 20, 2025
Free Admission: 
yes
Contact Information: 

Spring Creek Project, Oregon State University, 330 Ballard Extension Hall, Corvallis, OR 97331. Carly Lettero, Program Manager.

Carly Lettero
Program Manager
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Corvallis
Contact State: 
OR
Contact Zip / Postal Code: 
97331
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US
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Cabin at Shotpouch Creek

Protoplasmic Poetry

Caption: 

Michael McClure, whose poetry Allen Ginsberg described as "a blob of protoplasmic energy," performs one of his poems as well as one by Emily Dickinson in this clip from 2007. McClure's Of Indigo and Saffron: New and Selected Poems, which includes an introduction by the late Leslie Scalapino, is out this month from the University of California Press.

Genre: 

New Frost Prize for Formal Poets

The keepers of Robert Frost's family farm in Derry, New Hampshire, where the poet lived from 1900 to 1911, have opened their inaugural formal poetry contest. Sponsored by the trustees of the Robert Frost Farm and the Hyla Brook Poets, a workshop group that holds a reading series at the historic site, the competition is calling for poems written in meter—any metrical form is welcome.

One winner will receive one thousand dollars and an invitation to read in the Hyla Brook series at the Frost Farm, a program that has hosted poets such as Maxine Kumin, Rhina Espaillat, and Wesley McNair. Serving as judge will be William Baer, former editor of the no-longer-published poetry journal the Formalist.

The entry fee is five dollars a poem, and writers may submit as many works as they like—via snail mail—by April 1. Complete guidelines are posted on the Robert Frost Farm Web site.

In the video below, a short film by Doug Williams interprets Frost's poem "Into My Own," originally published as "Into Mine Own" in New England Magazine during the time Frost lived at the Derry farm, in 1909.

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