Ten Questions for Cintia Santana
“For me, giving language to something, finding a name for it, enacts a kind of metabolic process.” —Cintia Santana, author of The Disordered Alphabet
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“For me, giving language to something, finding a name for it, enacts a kind of metabolic process.” —Cintia Santana, author of The Disordered Alphabet
The author of Mistaken for an Empire: A Memoir in Tongues offers an approach to critically engaging with a colonialist literary canon.
The author of Mistaken for an Empire: A Memoir in Tongues explores how formal experimentation and play can help move a writing project forward.
The author of peep finds poetic surprises in the workaday language of commerce and culture.
The author of The White Mosque troubles the boundary between realist and genre fiction.
The author of Took House explores what happens when poets permit themselves to write about the same subject multiple times.
The author of Took House explores the importance of “strangeness” in poetry and offers a method for capturing this quality by combining two different draft poems.
The author of Took House explores a kinder approach to revision, in which language cut during one editorial process may be saved as material for a new writing project.
The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.
The author of [WHITE] explores how writing outside one’s primary genre can lead to literary breakthroughs.