Poetry NFTs Are Having a Moment

No longer limited to static text on a page, poets are composing verse in the unique medium of an NFT, opening new creative, collaborative, and financial possibilities for work that defies categorization.
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No longer limited to static text on a page, poets are composing verse in the unique medium of an NFT, opening new creative, collaborative, and financial possibilities for work that defies categorization.
The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
An introduction to three new anthologies, including Another Last Call: Poems on Addiction and Deliverance and Black Punk Now: Fiction, Nonfiction, and Comics.
The first lines of a dozen noteworthy books, including Orders of Service: A Fugue by Willie Lee Kinard III and I Would Meet You Anywhere by Susan Kiyo Ito.
The first lines of a dozen noteworthy books, including Down Here We Come Up by Sara Johnson Allen and Good Women by Halle Hill.
The new editor of the Princeton Series of Contemporary Poets discusses the power of the written word, the importance of university presses, and his plans to leave no manuscript unturned.
The poet discusses erasure as process and metaphor, how she spent six years turning a report on police racism into poetry, and the inspiration of wild animals.
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.
A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.
After more than two decades, the prestigious Griffin Poetry Prize will no longer divide its award into Canadian and international categories, drawing mixed responses from the Canadian literary world.