Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including There’s Always This Year: On Basketball and Ascension by Hanif Abdurraqib and Glitter Road by January Gill O’Neil.
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The first lines of a dozen noteworthy books, including There’s Always This Year: On Basketball and Ascension by Hanif Abdurraqib and Glitter Road by January Gill O’Neil.
No longer limited to static text on a page, poets are composing verse in the unique medium of an NFT, opening new creative, collaborative, and financial possibilities for work that defies categorization.
The first lines of a dozen noteworthy books, including You Bury the Birds in My Pelvis by Kelly Weber and Irregular Heartbeats at the Park West by Russell Brakefield.
The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
An introduction to three new anthologies, including Another Last Call: Poems on Addiction and Deliverance and Black Punk Now: Fiction, Nonfiction, and Comics.
The first lines of a dozen noteworthy books, including Orders of Service: A Fugue by Willie Lee Kinard III and I Would Meet You Anywhere by Susan Kiyo Ito.
The first lines of a dozen noteworthy books, including Down Here We Come Up by Sara Johnson Allen and Good Women by Halle Hill.
The new editor of the Princeton Series of Contemporary Poets discusses the power of the written word, the importance of university presses, and his plans to leave no manuscript unturned.
The poet discusses erasure as process and metaphor, how she spent six years turning a report on police racism into poetry, and the inspiration of wild animals.
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.