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In partnership with the Academy of American Poets, the Guggenheim is refreshing its connection to poetry with a poets-in-residence program, through which the museum is reimagining its offerings to engage the community with verse.
To create her delicate book sculptures, Swedish artist Cecilia Levy considers the history, materiality, and composition of old books sourced from her surroundings.
“Poetry is impossible, but it is not difficult.” —Olena Kalytiak Davis, author of Late Summer Ode
Faced with two separate causes of potential vision loss, an author reconsiders her identify as a “visual writer,” which has been integral to her mode of creating.
“It takes a lot of intentional work to write ethical stories.” —Hafizah Augustus Geter, author of The Black Period: On Personhood, Race, and Origin
The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.
Writer and visual artist Ben Shattuck turned his journals from walks through New England’s wild spaces into a book of drawings and text titled Six Walks: In the Footsteps of Henry David Thoreau.
“Every day without fail. Small marks with a pencil.” —Edward Carey, author of The Swallowed Man
“You have to become the person who can write the book you’re working on.” —Zeyn Joukhadar, author of The Thirty Names of Night
“Write with yourself and your own healing in mind, before you think of anyone else.” —Cicely Belle Blain, author of Burning Sugar
