Ten Questions for Caylin Capra-Thomas
“I needed to live all of the change and movement and multiplicity that the book wound up being about in order to write it.” —Caylin Capra-Thomas, author of Iguana Iguana
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Tags: revision
Write It Again
The author of Took House explores what happens when poets permit themselves to write about the same subject multiple times.
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Make It Strange
The author of Took House explores the importance of “strangeness” in poetry and offers a method for capturing this quality by combining two different draft poems.
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Ten Questions for Safia Elhillo
“This book really fought me, or I fought it, for the first couple of years.” —Safia Elhillo, author of Girls That Never Die
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Hold Your Darlings
The author of Took House explores a kinder approach to revision, in which language cut during one editorial process may be saved as material for a new writing project.
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Revise Like a Painter
The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.
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Ten Questions for Lydia Conklin
“I have to lock up my phone every day—in a box designed for locking up cookies—during the hours I’m writing. Text messages ruin me.” —Lydia Conklin, author of Rainbow Rainbow
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Ten Questions for Vanessa Hua
“If I had known about the twists and turns beforehand, I like to think I would have kept going, but maybe it’s better not to know.” —Vanessa Hua, author of Forbidden City
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Ten Questions for Soon Wiley
“Adjust one small plot point in the second half of the book, and you realize you’ve got to go back to the beginning and account for that change.” —Soon Wiley, author of When We Fell Apart
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I Could Not Give Up on My Characters
The author of Country of Origin looks back on the fifteen years she spent working on her debut novel.
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