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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Clayton Smith has self-published several books, including his latest novel, Apocalypticon, and used his experiences to cofound Dapper Press, a company that provides essential services like editing, design, and promotion to self-published authors. Editor Kim Bookless and publicist Lissy Peace weigh in on Smith’s process, and such self-publishing necessities.
In an effort to open writing contests and grants to undocumented immigrants, a group called the “Undocupoets” successfully petitions some of the most prominent presses and literary organizations in America.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features the Southern Review, the Pinch, Zyzzyva, Hanging Loose, and Copper Nickel.
InsideOut, a program that has been bringing poets to Detroit schools for twenty-five years, says goodbye to founder and executive director Terry Blackhawk this year, and will publish an anthology of essays by its educators in August.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Plano, Texas–based Queen’s Ferry Press. Initially devoted to short story collections, the press is now expanding to publish novels, novellas, and an anthology series.
French artist Stéphane Heuet’s Herculean efforts to democratize the work of Marcel Proust come to fruition as Norton releases his graphic-novel adaptation of Swann’s Way.
Jennifer Day, the editor of the Chicago Tribune’s Sunday books section, Printer’s Row Journal, discusses her commitment to assembling the best literary criticism on both the local and national level.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Nick Flynn’s My Feelings and Rebecca Makkai’s Music for Wartime, as the starting point for a closer look at these new and noteworthy titles.
Four young literary agents meet for an evening of food, drink, and conversation about how they find new authors, what they need to see in a query letter, and the common mistakes writers should avoid.
Three poets laureate—Luis J. Rodriguez, Joseph Bathanti, and Natasha Trethewey—talk about the various initiatives and influences they've brought to the position, and what the role means to them.
Since its founding in 2008, Badilisha Poetry X-Change has built the largest online archive of contemporary African poetry, including work by nearly four hundred poets from more than thirty countries across Africa and the diaspora. Now, with the launch of a new mobile site, Badilisha is making African poetry more accessible and interactive to millions of Africans.
In a continuing series examining the lives of writers in the international writing community, contributing editor Stephen Morison Jr. spends time with three authors in Rome who share a common desire "to shake free from a past so impressive it's suffocating."
Should you pay to have a manuscript edited beforehand? Are there benefits to querying via snail mail versus e-mail? Danielle Svetcov of Levine Greenberg Rostan answers readers’ questions about what (and what not) to do when trying to find an agent.
A former radio executive writes about his behind-the-scenes experiences with rock stars, and puts his vast media expertise to work promoting the book. An editor and publicist weigh in.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features Rattle, Poetry International, the Moth, Grain, and Barrelhouse.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Toni Morrison’s Gold Help the Child and Charles Simic’s The Lunatic, as the starting point for a closer look at these new and noteworthy titles.
A breakdown of the numbers behind our Grants & Awards section, including the total amount of prize money given each year, the cost of entry, and how writing contests have changed over the past ten years.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Fairfax, Virginia–based Civil Coping Mechanisms, whose devotion to writing that “doesn’t shy away” is reimagining what it means to cope.
Inspired by the works of Shelley, Keats, and Byron, a new video game challenges its players to get creative with writing-based gameplay.
Grove Atlantic and Electric Literature join forces to launch Literary Hub, a new site with an editorial team dedicated to curating the best literature-related writing on the Web.
Ron Charles of the Washington Post and the Totally Hip Video Book Review series gives his insights on the ethical and practical challenges of being a book critic for a major newspaper.
In Home for an Hour, an interdisciplinary collaboration between artist Adam Moser, writer Jacob Paul, and photographer Sarah Martin, seven couples are given free rein inside Moser’s apartment, while Paul composes stories about how the guests spend their time there.
The director of the Barnes & Noble Discover Great New Writers program talks about the process of searching for the “extraordinary storytelling” that makes a great new book.
Grove Atlantic and Electric Literature join forces to launch Literary Hub, a new site with an editorial team dedicated to curating the best literature-related writing on the Web.
Jennifer Joel, whose clients include Chris Cleave, Joe McGinniss Jr., Evan Osnos, and Shonda Rhimes, talks about the difference between selling fiction and nonfiction, what inspires her to go the extra mile for her authors, and what writers should really want out of publishing.
