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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Upstreet, the Iowa Review, Fogged Clarity, jubilat, Granta, and Cellpoems.
A still from Howl, a new film centered on the drama of the obscenity trial brought against Lawrence Ferlinghetti of City Lights for publishing Allen Ginsberg's controversial poem, which is slated for release in New York City and Los Angeles on September 24.
American novelist Thomas Legendre, who has worked with British poet Matthew Welton to develop a new creative writing program at the University of Nottingham, speaks about what makes study in England unique and what writers can gain from attending the new graduate program.
A combination of hard data from programs that release funding and admissions figures to the public and a vital survey of what the individuals comprising the next generation of U.S. poets and writers have to say about their own priorities in choosing a postgraduate program, here is a ranking of the nation's top fifty MFA programs.
Moving into new poetic territory, Major Jackson, in his third collection, Holding Company, corrals the ecstatic in a ten-line form.
The agent of authors such as Kevin Brockmeier and Marisa de los Santos offers her thoughts on self-publishing and what she looks for in the first five pages of a writing sample.
The Rumpus Book Club, launched in May by Stephen Elliott, offers a compelling twist on the traditional model of online book clubs. Members pay for two things: advance copies of new books, which they’ll receive a month before the official publication date, and access to the people who’ve written them.
A selection of essays that commemorate what was lost and celebrate the literary arts in New Orleans.
An excerpt from “The What and the How of It” by John Biguenet (in Before During After, edited by Elizabeth Kleinveld, to be published by the University of New Orleans Press in 2010).
A writer who stayed in the French Quarter during and after Katrina measures the spirit of America’s oldest Bohemia before its reincarnation.
One writer's monthlong journey with her family from her home on the Gulf Coast to three different cities as she searches for a respite from the storm, meeting others along the way whose loss puts hers in perspective.
A writer grapples with his decision to abandon writing, flee New Orleans during Hurricane Katrina, and become a passive witness to a narrative spun by nature.
An editor reveals how the best agents—Molly Friedrich, Jud Laghi, Chris Parris-Lamb, Scott Moyers, and Jennifer Joel among them—work behind the scenes to help their clients’ books get the attention they deserve.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Isotope, Gigantic, Bombay Gin, Ploughshares, the Harvard Review, and Prairie Schooner.
On the fifth anniversary of Hurricane Katrina, several local and national arts organizations, including the Pirate’s Alley Faulkner Society and the Poetry Society of America, are presenting readings in New Orleans to commemorate all that was lost—the lives, homes, businesses, and communities—and to celebrate a flourishing of the literary arts in the area since the storm.
On the thirtieth anniversary of the launch of the National Poetry Series, Halpern speaks about both its history and its future.
Race car driver Alex Grabau has customized his car with a decal of a poem by Jim Daniels. From July 9 to 11, Grabau will compete in Giants Despair, an uphill race in Laurel Run, Pennsylvania. He will race again at the Duryea Hillclimb in Reading, Pennsylvania, from August 20 to 22.
Small Press Points highlights the happenings of the small press players. This issue features Blue Hour Press, an independent poetry publisher in Tuscaloosa, Alabama, that is “dedicated to bridging the gap between the beauty and tradition of print and the accessibility and possibility of the Web, releasing digital chapbooks that are satisfying, respectable, and innovative.”
Apple’s entry into the e-book market has given publishers the leverage they needed to force a marketwide shift from a wholesale to an “agency” model of e-book retailing, but the long-term impact of the move—for both publishers and authors—remains unclear.
In this regular feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy.
The Federal Writers' Project was established seventy-five years ago, and according to one author and documentary filmmaker, it was a watershed event, if not a turning point, in the history of American literature. Employing up to 7,500 people annually during its four-year run, the Writers’ Project nurtured a generation of authors who otherwise might have been forced into nonliterary careers.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Aimee Bender's The Particular Sadness of Lemon Cake and Joshua Mohr's Termite Parade, as the starting point for a closer look at these new and noteworthy titles.
The Rolex Mentor and Protégé Arts Initiative recently announced that this year’s mentor in literature, German writer Hans Magnus Enzensberger, has chosen as his protégée American poet Tracy K. Smith. This is the fifth year a mentorship has been awarded to a writer, and the first time the winning writer has hailed from the United States.
In the fourth installment of our series Inside Indie Bookstores,
contributor Jeremiah Chamberlin travels to Milwaukee to talk with Daniel Goldin, owner of Boswell Book Company.
On Tuesday the second annual United Nations World Oceans Day was observed, a date that also marked the seventh week of the ongoing oil spill in the Gulf of Mexico.
