Article Archive

For Nigerian author Chimamanda Ngozi Adichie, literary stardom has yielded more than the confidence to keep writing. Much more.

Some publishers may have lost sight of what’s important, but the head of FSG shows his allegiance as he discusses the fallacy of the blockbuster mentality, what writers should look for in agents, and his close bond with authors.

For many writers groups and nonprofit literary organizations battered by the recession, help is on the way. The American Recovery and Reinvestment Act, which was signed into law by president Barack Obama in February, included fifty million dollars in arts funding that is being allocated by the National Endowment for the Arts.

A group of writing instructors and students who over the years formed a ragtag band during late-night impromptu jam sessions at the Bennington Writing Seminars released their first CD earlier this year. Titled Let's Doghouse: A Tribute to Liam Rector, the compilation serves as a memorial to the founding director of the Writing Seminars, a poet, who passed away two years ago.

Contemporary literature lovers invaded ten beer-soaked bars scattered throughout Manhattan’s Lower East Side and East Village as part of the second annual Lit Crawl NYC—a two-hour bar hop serving up an eclectic taste of the New York City literary scene.

With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Emily Chenoweth's Hello Goodbye and Loree Rackstraw's Love As Always, Kurt: Vonnegut As I Knew Him as the starting point for a closer look at these new and noteworthy titles.

Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Witness, the Massachusetts Review, Calyx, River Teeth: A Journal of Nonfiction Narrative, and Oxford American.

Although the current recession is hammering all sectors of the literary economy, including publishers of books and magazines, booksellers, and service organizations—not to mention writers themselves—one of the community's smallest but most important components is proving particularly vulnerable.

Last Sunday, at the sixth annual Sarah Lawrence College Poetry Festival, poets Michael and Matthew Dickman joined Dorianne Laux and her husband Joseph Millar to talk about forming a writing community.