Genre: Not Genre-Specific

Literary MagNet

Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features One Story, Chicago Review, Boston Review, Agni, Ploughshares, Poetry, Blackbird, and Creative Nonfiction.

 

Linguaphiles Unite

by
Kristin Ohlson
9.1.02

A Word A Day: A Romp Through Some of the Most Unusual and Intriguing Words in Englisha collection of 273 unusual, obscure, and exotic words inspired by Anu Garg's linguistic e-mail service, A.Word.A.Day—will be published by John Wiley & Sons in October.

When Literature Goes Hollywood

by
Karen Sosnoski
9.1.02

Three new films based on books of fiction are scheduled to be released in October: Ethan Canin's The Palace Thief, Michael Cunningham's The Hours (which features an all-star cast including Meryl Streep, Nicole Kidman, Julianne Moore, Claire Danes, and Ed Harris), and Janet Fitch's White Oleander.

Black Sparrow Folds Its Wings

by
Joy Jacobson
9.1.02

Black Sparrow Press, based in Santa Rosa, California, began in 1966 as a vehicle for John Martin to publish the work that he loved, but went on to become a financial success. It published more than 650 titles, with annual sales eventually rising to more than $1 million, which is why it came as a surprise to many in the publishing industry when Black Sparrow went out of business last spring.

Anthologies Mark Year of Reflection

by
Nick Twemlow
9.1.02

Over three hundred poems, short stories, and essays written in response to the events of last September have been collected in three new anthologies: September 11, 2001: American Writers Respond, Poetry After 9/11: An Anthology of New York Poets, and 110 Stories: New York Writes After September 11.

The BBC's Really Big Book Club

by Staff
8.23.02

The BBC World Service recently launched what could be the world's largest book club. Each month a new book of fiction will be selected, and a live discussion, led by Harriett Gilbert, will be broadcast to the BBC's radio audience of 150 million listeners on six continents.

Putting a Price on Writers Who Read

by
Diana Abu-Jaber
7.1.02

Giving a public reading, for most writers, involves a good deal of anxiety, a powerful dose of pride in one's work, and the cool relief of getting through the experience without humiliation. Payment often comes in the form of applause. But for those writers whose names regularly appear on book jackets and prize announcements, public readings can mean big business—and big paychecks.

Pages

Subscribe to Not Genre-Specific