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In this Poetry.LA interview, bridgette bianca reads from her debut collection, be/trouble (Writ Large Press, 2020), and talks about the origins of her writing career, documenting her experiences as a professor, and her love of romance novels in a conversation with host Luivette Resto.
If you could spend a night at any museum, which would you choose, and why? The French publisher Editions Stock has a series of books that begins with this premise—each author selects a museum, arrangements are made for an overnight stay, and a book is written about the experience. In Jakuta Alikavazovic’s Like a Sky Inside, translated from the French by Daniel Levin Becker, she spends a night at the Louvre in Paris, where childhood memories of visits with her father are vividly recalled. “From March 7 to 8, 2020, I spent the night in the Louvre, alone. Alone and at the same time anything but,” writes Alikavazovic. Write a poem that imagines a night at a museum of your choosing, anywhere in the world. What memories will you excavate from this imagined, solitary experience?
In this event for Vancouver Writers Fest’s Incite reading series, Booker Prize–winning author Michael Ondaatje reads from his new poetry collection, A Year of Last Things (Knopf, 2024), and discusses why he returned to poetry after twenty years of writing novels in a conversation with Jenny Penberthy. “The voice was the most important thing to find, that I could speak almost casually in a poem, whereas a novel is more formal and planned.”
In this Haymarket Books event, Julian Randall reads from his first essay collection, The Dead Don’t Need Reminding: In Search of Fugitives, Mississippi, and Black TV Nerd Sh*t (Bold Type Books, 2024), which is featured in Page One in the May/June issue of Poets & Writers Magazine. The event also includes an introduction by Gabriel Ramirez and readings by poets George Abraham and Itiola Jones.
“I love these raw moist dawns with / a thousand birds you hear but can’t / quite see in the mist. / My old alien body is a foreigner / struggling to get into another country. / The loon call makes me shiver. / Back at the cabin I see a book / and am not quite sure what that is.” In these eight lines that comprise Jim Harrison’s poem “Another Country,” which appears in his final collection, Dead Man’s Float (Copper Canyon Press, 2016), the late poet moves between observations about a natural outdoor setting and the speaker’s own bodily presence, arriving in the final two lines at a sentiment that expresses a feeling of defamiliarization at the seemingly mundane sight of a book. This week write a poem that explores the concept of being so absorbed in one environment or circumstance that to behold a different scene is like traveling to a strange and unknown realm.
In this 2014 Louisiana Channel interview from his home in Brooklyn, Paul Auster talks about how a chance meeting with legendary baseball player Willie Mays led him to become a writer and what he has learned about writing. “The essence of being an artist is to confront the things you’re trying to do, to tackle it head on, and if it’s good, it will have its own beauty.” Auster died at the age of seventy-seven on April 30, 2024.
“The day the last friend / dies / we sit alone. / A visitor / from outer space / tries hard / to summon us. / Someone says / EAT DEATH. / I fish around for answers / but the questions / still won’t come,” writes Jerome Rothenberg, who passed away in April, in his poem “The Last Friend.” Included in his collection of one hundred poems, A Book of Witness: Spells & Gris-Gris (New Directions, 2022), the poem presents a list of statements and observations, many of which refer to death or dying in some personal way, though the connections are enigmatic and the logical progression is oblique. Try your hand at writing a poem that mentions its subject directly, but which also deliberately obfuscates or remains ambiguous in its intentions. How might using the “I” as a witness include the reader into your point of view?
“If I must die, / you must live / to tell my story…” In this video filmed for the Palestine Festival of Literature, actor Brian Cox reads “If I Must Die” by the late Palestinian poet and English literature professor Refaat Alareer, who died after an Israeli airstrike on Gaza on December 6, 2023. Alareer’s posthumous book of the same name will be published in September by OR Books.
In this recent installment of UC Berkeley’s Lunch Poems series, Brandon Shimoda reads a selection of poems and essays with the theme of “oranges,” which address the memory of Japanese American incarceration and war.
“I consider notetaking to be an integral form of the writing process.” —Dorothy Chan, author of Return of the Chinese Femme
