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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
“Above all, be brave!” —Sheila Carter-Jones, author of Every Hard Sweetness
The author of Short War ponders the ways research can deepen a fiction project—and how to know when enough is enough.
“Take as long as you need.” —April Gibson, author of The Span of a Small Forever
The author of twelve books of fiction and nonfiction confronts the question every writer inevitably faces: Is my compulsion to tell the truth stronger than my fear of the consequences?
The author of With My Back to the World talks about the importance of staying true to who we are while allowing the writing to tell us where to go, and how she views her work as a mapping of her changing mind and perception.
The author of Short War contemplates the rewards of modeling minor characters on real people.
“Get ready for about fifteen drafts.” —Garrard Conley, author of All the World Beside
“Trust yourself; if you can manage that, the writing will come.” —Heather McCalden, author of The Observable Universe: An Investigation
The author of Yaguareté White explores the poetic art of balancing fact and fiction.
“Growth shouldn’t only happen on the page.” —Zefyr Lisowski, author of Girl Work
The author of Yaguareté White considers the ethics of found poetry.
“I thought a book could be carved out of a block of poems, but instead it had to start from blank space.” —Cindy Juyoung Ok, author of Ward Toward
The author of Yaguareté White contemplates how to approach writing in multiple languages.
“For every book, different literary angels perch on my shoulder.” —Tomás Q. Morín, author of Where Are You From: Letters to My Son
The author and translator discusses his process of translating Sappho, the lessons that ancient poetry holds for contemporary life, and the gifts of a life steeped in practicing poetry and translation.
“I would write the scene and shake my head in disbelief that a character wanted to do that.” —Phillip B. Williams, author of Ours
The author of Midwhistle explores the power of the epic poem.
Rejection of your work can be crushing, especially when the subject of your writing is personal. A writing teacher and book coach recounts her experience being guided and then stood up by an agent who expressed interest in her book.
The principal agent of McKinnon Literary talks about how publishing can be a form of activism, the different ways agents and authors can use comp titles, and how the future of the book business still holds many wonderful possibilities.
In response to the nationwide book-banning movement, libraries and other literary institutions are adopting the “sanctuary” label to show their commitment to protecting book access for readers.
The first lines of a dozen noteworthy books, including There’s Always This Year: On Basketball and Ascension by Hanif Abdurraqib and Glitter Road by January Gill O’Neil.
At a time when the writing world faces serious challenges, the coauthored novel Fourteen Days brings together thirty-six noted writers to raise money for the Authors Guild and its battle against book bans and copyright infringement.
An introduction to four new anthologies, including The Weird Sister Collection: Writing at the Intersections of Feminism, Literature, and Pop Culture and You Are Here: Poetry in the Natural World.
With an all-volunteer staff and a “pay what you want” policy for select titles, Bull City Press is dedicated to concise expression and making great books available to anyone who wants to read them.
