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In this Books Are Magic event, Albert Abonado reads from his second poetry collection, Field Guide for Accidents (Beacon Press, 2024), and discusses Asian American families and the model minority myth in a conversation with Jason Koo. Field Guide for Accidents is featured in Page One in the November/December issue of Poets & Writers Magazine.
“I changed the order of my books on the shelves. / Two days later, the war broke out. / Beware of changing the order of your books!” writes Mosab Abu Toha in his poem “Under the Rubble,” which appears in his new collection, Forest of Noise (Knopf, 2024). In the poem, Abu Toha combines moments of whimsy, with distressing references to violence, death, and loss to present a portrayal of the day-to-day existence during a time of catastrophic war. Write a poem that ruminates on a difficult issue in your life that incorporates elements of playfulness or wonder in your exploration of the subject. Consider experimenting with a series of variating short stanzas as Abu Toha does in his poem, changing the tone with each section. Abu Toha speaks about his book in an interview in the November/December issue of Poets & Writers Magazine.
In this recent installment of UC Berkeley’s Lunch Poems series, Sherwin Bitsui reads selected poems from his collections Flood Song (Copper Canyon Press, 2009) and Dissolve (Copper Canyon Press, 2018).
In this Poetry.LA interview, host Luivette Resto speaks with poet Amy Shimshon-Santo about her new collection, Random Experiments in Bioluminescence (FlowerSong Press, 2024), and the themes within the book which deal with how to live in a time of great suffering and disorientation, and “somehow have the experience of finding your own light.”
The practice of cutting one’s hair can sometimes be an emotional process—the shedding of one’s layers much like the way a snake sheds its skin. For some, cutting hair might symbolize a spiritual rebirth, embracing new beginnings and letting go of the past. For others, it can be a traumatic experience. Haircuts can be well thought-out decisions, premediated and anticipated, or spur of the moment, an abrupt change to one’s appearance. Write a poem about your last haircut or the experience of observing a haircut. Include details of where you were, who was cutting the hair, the sounds of the clippers or scissors, and the emotions you experienced. Read “Haircut” by Elizabeth Alexander and “Hair” by Orlando Ricardo Menes for further inspiration.
In this Books Are Magic event, Miller Oberman reads from his latest poetry collection, Impossible Things (Duke University Press, 2024), and is joined by poets Jason B. Crawford, Joan Kwon Glass, and I. S. Jones for a reading and Q&A. For more from Oberman, read his installation of our Ten Questions series.
“Your mind wants to move, and the best thing a work of art can do is take your mind with it, moving somewhere you never expected to move.” Anne Carson talks about the artists and philosophers who inspire her to create and think, and how boxing has helped her in the wake of her recent diagnosis of Parkinson’s disease in a conversation with Norwegian author Linn Ullmann for this Louisiana Channel event.
In early September, mysterious white blobs began washing ashore on the beaches of Newfoundland in Canada, described as sticky, spongy, and doughy. Beachcombers and scientists alike were confounded—were the blobs of animal or plant origins? Were they toxic or innocuous, or created from industrial waste? As scientists continue to collect samples and run tests on these mysterious blobs, take this period of uncertainty to write a poem about a blob: these beach blobs, a blob inspired by science fiction, an explicitly frightening or comedic blob, or perhaps an experience that simply feels blob-like. How does the slipperiness of this concept lend itself to metaphors in your poem? Consider experimenting with the shape of your text, creating a concrete, yet blobby, poem.
“When we die, our souls leave our bodies, / take with them everything they loved.... In Gaza, our bodies and rooms get crushed. / Nothing remains for the soul.” In this Busboys and Poets event, Mosab Abu Toha reads from his collection Forest of Noise (Knopf, 2024), and discusses his recent experiences in Gaza in a conversation with Isra Chaker. An interview with Abu Toha by Destiny O. Birdsong appears in the November/December issue of Poets & Writers Magazine.
In this video for the Poetry Society of America’s Storefront Poems series, Kimiko Hahn reads her poem “Ode to the Mud in Corona Park,” which appears in her collection The Ghost Forest: New and Selected Poems (Norton, 2024). For more from Hahn, read her installation of our Ten Questions series.
