The Time Is Now: Writing Prompts and Exercises
Write a poem that uses the language of flowers to share a secret, a scene where a young person expresses their thoughts about a parental figure, or an essay based on the logic of your own dreams.
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Genre: Poetry
Blessing the Boats Selections
BOA Editions
Entry Fee:
$0
Deadline:
July 14, 2025
A prize of $2,500 and publication by BOA Editions will be given annually for a poetry collection by a poet who is a woman of color and lives in the United States, “including poets who identify as cis, trans, and non-binary people who are comfortable in a space that centers on women’s experiences, regardless of citizenship.” Submit a manuscript of 65 to 120 pages and a cover letter by July 14. There is no entry fee. Visit the website for complete guidelines.
Literary Awards
New Letters
Entry Fee:
$24
Deadline:
May 19, 2025
Three prizes of $2,500 each and publication in New Letters are given annually for a poem, a short story, and an essay. Using only the online submission system, submit up to six poems totaling no more than 30 pages or a story or essay of up to 8,000 words with a $24 entry fee, which includes a subscription to New Letters, by May 19. All entries are considered for publication. Visit the website for complete guidelines.
The Anthologist: A Compendium of Uncommon Collections
An introduction to three new anthologies, including What My Father and I Don’t Talk About: Sixteen Writers Break the Silence and Sing the Truth: The Kweli Journal Short Story Collection.
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Signs of Spring
What signals to you that spring has finally arrived? While there are signs of transformation throughout the year, the signs of spring often feel particularly special following on the heels of winter as many look forward to the tiniest indications of vernal revitalization. Buzzing bees, daffodils and tulips, pollen that makes you sneeze, the end of clanging heater pipes, wearing shorts, outdoor picnics, and opening windows—there are many associations with the freshness of the season. This week write a series of short poems that focus on the small, perhaps idiosyncratic changes that signify to you, personally, that a new season is upon us.
Zell Visiting Writers Series: Jane Wong
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In this event hosted by the Helen Zell Writers’ Program at the University of Michigan, Jane Wong reads “To Love a Mosquito,” a chapter from her memoir, Meet Me Tonight in Atlantic City (Tin House, 2023), and pieces of her mother’s diary, followed by a discussion about her approaches to poetry versus creative nonfiction.
Dear Poet 2025: Meg Day
![Dear Poet 2025: Meg Day Reads "Portrait of My Gender as [Inaudible]"](https://www.pw.org/files/styles/video_thumb_medium/public/media-oembed/i.ytimg.com/vi/dFRFpJ5enBA/hqdefault.jpg?itok=5f2Nfd01)
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“I knew I was a god / when you could not / agree on my name // & still, none you spoke / could force me to listen / closer.” In this video, Meg Day reads “Portrait of My Gender as [Inaudible]” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.
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Boardwalks in Winter
In Sean Baker’s film Anora, which won best picture at this year’s Academy Awards, the title character spends the majority of her time zigzagging around New York City with various characters and in one particularly indelible shot, she strides past the iconic Cyclone roller coaster at a deserted Coney Island boardwalk on a gray winter afternoon. This week write a poem that revolves around an iconic location with a depiction that is unconventional or atypical in juxtaposition. You might consider how this locale is usually thought of in the popular imagination, how it was designed to function, or how it looks in different seasons. Play around with diction and rhythm to amp up a sense of tension and upend conventional expectations of your subject.
Ten Questions for Keetje Kuipers
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
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On Trauma and Knowing When You’re Ready to Write
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
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