Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books including The Crane Wife: A Memoir in Essays by CJ Hauser and Gods of Want by K-Ming Chang.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The first lines of a dozen noteworthy books including The Crane Wife: A Memoir in Essays by CJ Hauser and Gods of Want by K-Ming Chang.
The Multiverse book series from Milkweed Editions spotlights the work of neurodivergent poets and powerful new ways of “languaging.”
By presenting translations in trios, a new initiative from Open Letter Books puts international literature in context and celebrates the role of translator as curator.
Each no bigger than a deck of cards, rinky dink’s “micro zines” aim to “get poetry back in the hands (and pockets) of the people” and make the genre more accessible.
Zenia Tompkins, founder of the Tompkins Agency for Ukrainian Literature in Translation, discusses the impact of Russia’s invasion on her work and the agency’s urgent efforts to bring Ukrainian voices to the West.
Recognizing that talent and relevance have no age limit, the Henry Morgenthau III First Book Poetry Prize from Passager Books spotlights debuts by poets age seventy and older.
Two University of Baltimore MFA students founded the small press that publishes poetry, fiction, nonfiction, and hybrid work, and as well as a podcast and literary magazine.
The Matwaala collective was launched in 2015 to create visibility for South Asian poets. Today, Matwaala programs such as the Poets of Color festival foster solidarity between different identity groups through literature.
The new editor in chief of the Rumpus, Alysia Li Ying Sawchyn, discusses what sets the magazine apart and what she looks forward to in her new role.
The first lines of a dozen noteworthy books including The Candy House by Jennifer Egan and Ante body by Marwa Helal.
Writer and visual artist Ben Shattuck turned his journals from walks through New England’s wild spaces into a book of drawings and text titled Six Walks: In the Footsteps of Henry David Thoreau.
When the pandemic affected booksellers’ job security, several bookstores transitioned to employee-ownership models to create more equitable workplace environments.
Established in 2018, the Graywolf Press African Fiction Prize awards an African writer an advance and publication by Graywolf. The prize aims to offer African writers a platform without them having to leave the continent.
The author spotlights five journals that published lyric and narrative poems from her debut poetry collection, The Body Family.
The first lines of a dozen noteworthy books including Pure Colour by Sheila Heti and Dream of the Divided Field by Yanyi.
The author reflects on magazines that offered homes to stories in her second collection, Jerks: “All the journals I’ve been lucky enough to publish with celebrate nervy writing.”
A growing movement asks that literary translators receive equitable compensation and acknowledgement, starting with the inclusion of translators’ names on book covers.
The inaugural cohort of Letras Boricuas Fellows showcases the vitality and diversity of Puerto Rican literature.
To bring attention to gendered book marketing, designer Christine Rhee reenvisions the covers of classic and contemporary books in her satirical series “Fake Books for Men” and “Fake Books for Women.”
Created in response to social uprisings and the pandemic, Lampblack offers direct aid and community to Black writers and publishes an annual magazine that furthers Black literature.
After a period of transition, the Fayetteville, New York, press will begin a new chapter with a focus on publishing poetry in translation from contemporary writers.
David Treuer, a writer, teacher, and recently appointed editor-at-large at Pantheon, discusses his focus on publishing emerging Indigenous writers and the possibilities of his new role.
Three new anthologies, including The Long Devotion: Poets Writing Motherhood.
A look at the growing number of online scams that lure writers with offers of speaking engagements or by posing as an agent or editor online. Two writers directly affected by scams share their experiences.
The author reflects on five journals that published essays from their debut collection, Dark Tourist.