Page One: Where New and Noteworthy Books Begin

The first lines of a dozen noteworthy books, including You Bury the Birds in My Pelvis by Kelly Weber and Irregular Heartbeats at the Park West by Russell Brakefield.
Jump to navigation Skip to content
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The first lines of a dozen noteworthy books, including You Bury the Birds in My Pelvis by Kelly Weber and Irregular Heartbeats at the Park West by Russell Brakefield.
The editor of the New York Times Book Review discusses his vision for the Book Review, how he and his staff decide which titles to cover, advice for authors, and more.
To mimic human writing, AI technologies have been consuming millions of pages of copyrighted literature. Authors have filed several class-action lawsuits accusing AI companies of illicitly using their work and seeking compensation.
An introduction to three new anthologies, including Another Last Call: Poems on Addiction and Deliverance and Black Punk Now: Fiction, Nonfiction, and Comics.
Flooding devastated parts of Vermont in July, including literary organizations and businesses that are now relying on community support as they rebuild and confront more frequent extreme weather events brought on by climate change.
The first lines of a dozen noteworthy books, including Orders of Service: A Fugue by Willie Lee Kinard III and I Would Meet You Anywhere by Susan Kiyo Ito.
Artist Billy Renkl recounts his painstaking process for constructing the mixed-media collages that accompany the essays in his sister Margaret Renkl’s new book, The Comfort of Crows: A Backyard Year.
DePaul University’s Blue Book anthology showcases the work of talented teen writers, offering an intimate glimpse into their varied lived experiences and illustrating the transformative power of written expression.
Founded to support the work of marginalized poets, Get Fresh Books publishes one to three poetry collections each year, selecting manuscripts from a pool of no-fee submissions and solicited work.
The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
The author of Let’s Go, Let’s Go, Let’s Go introduces five journals, including Shenandoah and Hyphen, where she found understanding and acceptance for her stories.
The new editor of the Princeton Series of Contemporary Poets discusses the power of the written word, the importance of university presses, and his plans to leave no manuscript unturned.
A look at three new anthologies, including Leaning Toward Light: Poems for Gardens & the Hands That Tend Them and Never Whistle at Night: An Indigenous Dark Fiction Anthology.
Dedicated to finding the voices and stories audiences most need to hear, Book*hug Press reads beyond borders as a Canadian press with international influences, representationally and aesthetically.
The illustrator of the graphic novel My Brilliant Friend, Mara Cerri, discusses her artistic practice, the challenges of rendering an esteemed novel in images, and her experience working with one of world’s most elusive authors.
Led by a board of distinguished authors in collaboration with three nonprofit organizations, a new yearlong fellowship supporting system-impacted writers promises to provide resources and funding to share their stories.
A collaboration between three literary organizations, the International Library is a new initiative presenting live conversations about literature in translation while connecting transnational audiences.
The first lines of a dozen noteworthy books, including Down Here We Come Up by Sara Johnson Allen and Good Women by Halle Hill.
In defiance of Amazon’s dominance in the bookselling market, Bookshop has launched an imprint that will release its inaugural title this fall. Bookshop will also introduce its own e-reading platform, supporting independent bookstores.
Guided by a mandate to seek out and amplify underrepresented voices, the Feminist Press publishes twelve to fifteen books a year in multiple genres and holds open submission periods twice annually.
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.
Recently, con artists have taken to impersonating real editors, agents, or filmmakers from reputable organizations to extort large payments from unsuspecting authors. Literary professionals share advice on spotting and reporting scams.
The author of Leg: The Story of a Limb and the Boy Who Grew From It introduces five journals that shaped his work.
The new executive director of Hub City Writers Project shares her vision for HCWP, emphasizing values of regionality, accessibility, and transparency.
A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.