Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Somebody’s Daughter by Ashley C. Ford and The Vault by Andrés Cerpa.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The first lines of a dozen noteworthy books, including Somebody’s Daughter by Ashley C. Ford and The Vault by Andrés Cerpa.
The author of There Plant Eyes: A Personal and Cultural History of Blindness charts her literary passions and road to publication by the journals she has worked with as a contributor or editor.
The nonprofit Creature Conserve brings together artists, writers, and scientists through classes, events, and more, all with a mission to support conservation by focusing on how we tell stories about animals.
A series of books, edited by Erica Vital-Lazare and published by McSweeney’s, shines a light on Black literature that was previously overlooked or underappreciated.
Four new anthologies including The 2021 Griffin Poetry Prize Anthology: A Selection of the Shortlist and We Are the Baby-Sitters Club: Essays and Artwork From Grown-Up Readers.
The first lines of a dozen noteworthy books, including Second Place by Rachel Cusk and The Renunciations by Donika Kelly.
Author Lara Ehrlich, the host of Writer Mother Monster, shares a selection of the best insights and advice offered on the podcast.
Established in 2004, the indie press strives to treat poetry as a genre with “frontlist potential” while also publishing fiction, nonfiction, and literature in translation from new voices.
Ten years after its first meeting, Women Who Submit has grown to a global community that continues to empower women and nonbinary writers to seek publication.
Lara Ehrlich, the host of the podcast Writer Mother Monster, debunks the superwoman myth and considers how to balance writing and motherhood.
The PERIPLUS collective aims to democratize writing and publishing by matching emerging BIPOC writers with established authors and publishing professionals for yearlong mentorships.
Three new anthologies including Living Nations, Living Words: An Anthology of First Peoples Poetry and There’s a Revolution Outside, My Love: Letters From a Crisis.
The fiction writer and essayist on five journals that published their work and helped shape their debut novel, The Atmospherians.
To foster a love of reading among kids in North Carolina, Caitlin Gooch started a program through which children can read books to horses.
Writers Rebel NYC, a coalition of writers who are part of the activist group Extinction Rebellion, seeks to encourage conversation and action around climate change through literature.
The poet on five journals that published pieces from her debut collection, The Wild Fox of Yemen.
Artist and author Jillian Tamaki sewed and embroidered a piece called Blue Quilt to document her life during the pandemic.
Poet Aracelis Girmay discusses her new position as editor-at-large of the Blessing the Boats Selections, a set of poetry books written by women of color and published by BOA Editions.
Writer Rachel Syme’s pen pal matching program has connected more than nine thousand correspondents from over fifty countries during the pandemic.
Big Five and indie book publishers have recently increased entry-level salaries. Will it make the industry more accessible to BIPOC professionals?
The first lines of a dozen noteworthy books, including Libertie by Kaitlyn Greenidge and Festival Days by Jo Ann Beard.
The independent press based in Troy, New York, prints twenty titles a year, including art books, poetry, fiction, and nonfiction, which challenge genre expectations and push boundaries.
Kimberly Drew and Jenna Wortham’s book, Black Futures, comprises more than five hundred pages of poetry, artwork, memes, essays, and lyrics from Black artists.
A teaching press based at High Point University in North Carolina that launched early this year aims to feature experimental poetry, fiction, and translation that “maintains a connection to human experience.”
Poet Kaveh Akbar on his role as the poetry editor of the Nation and the challenges and possibilities of literary editing.