Jump to navigation Skip to content
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
After collecting poetry books to lend to students, poet and educator Hiram Sims opened the Sims Poetry Library in Los Angeles. Today the library boasts a collection of over six thousand books and serves as a home base for poets in the community.
Anitra Budd got her start at Coffee House Press as an intern and now serves as publisher and executive director of the press. She discusses her approach to leadership and putting people before profit.
The first lines of a dozen noteworthy books, including Manifesto: On Never Giving Up by Bernardine Evaristo and To Paradise by Hanya Yanagihara.
A look at the growing number of online scams that lure writers with offers of speaking engagements or by posing as an agent or editor online. Two writers directly affected by scams share their experiences.
The author reflects on five journals that published essays from their debut collection, Dark Tourist.
The first lines of a dozen noteworthy books, including Orwell’s Roses by Rebecca Solnit and Such Color: New and Selected Poems by Tracy K. Smith.
Curious about the pleasures and sounds of nonliterary language, author Rita Bullwinkel has created Oral Florist, an online sound library in which artists and writers read recipes, user manuals, and other encountered texts.
MacArthur Fellow Hanif Abdurraqib talks about his new position at the independent press, the relationship between writer and editor, and the abundant talents of the Black literary community.
Founded in 2017, the African Poetry Digital Portal serves as singular resource for studying contemporary African poetry. Now, with a grant from the Andrew W. Mellon Foundation, the project’s leaders aim to expand their offerings.
The author on five literary journals that published selections from her story collection, Hao.
Writer Sophie Calle took a job as a maid at a Venice hotel to secretly study the lives of its guests. Her diary of observations and photos compose The Hotel, a book whose provocative methods have inspired other artists.
The small press in Blue Hill, Maine, savors close relationships with its writers and publishes three paperback books and six handmade chapbooks annually.
For one hundred years, PEN International has championed freedom of expression and the rights of writers. This fall, the organization considers its history with an online archive, a Centenary Congress, and a new book documenting their work.
Three new anthologies, including The FSG Poetry Anthology.
Artist Nathan Langston put a unique spin on a game of Telephone by using a fragment of poetry to inspire one artist then another—growing into a multifaceted project with contributions from artists from seventy-two countries.
The nonprofit press in Asheville, North Carolina, publishes eight poetry, fiction, and nonfiction books a year with a mission to bring an inclusive ethos to books illuminating “the life of the spirit.”
To recruit talented BIPOC professionals into literary agenting and ensure social justice in the field, Literary Agents of Change offers a paid internship program as well as a mentorship program focusing on retention.
Acclaimed author and agent Catherine Cho discusses her start as an agent; her decision to open her own agency, Paper Literary; and her advice for writers daunted by the process of finding representation.
In a new graphic novel, comic artist Theo Ellsworth adapts Jeff VanderMeer’s tale of a mysterious building where “office culture” connotes secret languages and unspoken rituals.
The author of the new poetry collection Gumbo Ya Ya discusses four journals that first published their work, including BOAAT, TriQuarterly, Southeast Review, and Ploughshares.
The first lines of a dozen noteworthy books, including Cloud Cuckoo Land by Anthony Doerr and Harlem Shuffle by Colson Whitehead.
Roxane Gay Books, a new imprint of Grove Atlantic, will publish three books a year in a variety of genres, with the author herself casting a wide net in terms of the submissions she’s seeking and dispensing with the usual requirements.
The first lines of a dozen noteworthy books, including Somebody’s Daughter by Ashley C. Ford and The Vault by Andrés Cerpa.
The author of There Plant Eyes: A Personal and Cultural History of Blindness charts her literary passions and road to publication by the journals she has worked with as a contributor or editor.
The nonprofit Creature Conserve brings together artists, writers, and scientists through classes, events, and more, all with a mission to support conservation by focusing on how we tell stories about animals.
