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“To make ancestors whole is to imagine, collectively, publicly, who they were and what their experiences were like.” In this New York Public Library event, former Cullman Center fellow and Pulitzer Prize–winning author Gregory Pardlo discusses the themes within his latest poetry collection, Spectral Evidence (Knopf, 2024), and talks about interrogating the present-day erasure of Black history in a conversation with Imani Perry.
“In writing the sonnets of frank, the form was a rescue raft, a lifeline, the safety net beneath the trapeze act. I liked how it equalized every event, relationship, song, or story that the individual sonnet might take on,” says poet Diane Seuss in a 2022 Publishers Weekly interview with Maya C. Popa about her Pulitzer Prize–winning collection, in which she explores with brutal frankness her personal history and themes of death, illness, addiction, and love. Inspired by Seuss, write two fourteen-line sonnets with vastly different subjects. In using a specific form to create a sort of equalizing force between topics, how do the minor victories and upsets of mundane occurrences find balance with the heavier ups and downs of your life?
In this interview for The Late Show With Stephen Colbert, Kwame Alexander talks about winning an Emmy Award for the television adaptation of his novel The Crossover, and reads one of his poems which appears in This Is the Honey: An Anthology of Contemporary Black Poets (Little, Brown, 2024). For more on the anthology, read “The Anthologist: A Compendium of Uncommon Collections” in the January/February issue of Poets & Writers Magazine.
The author of Midwhistle considers how a poem’s title can frame, deepen, or complicate the reader’s experience of it.
Don’t let your writing life become a version of Groundhog Day, the 1993 film in which a disgruntled weatherman—played by Bill Murray—must relive, seemingly ad infinitum, the eponymous holiday. Change things up by submitting your work to a new contest! Nine awards have a deadline of February 15 or February 16, offering prizes that include $3,000 and publication for collections of poetry, fiction, and essays; $1,000 for a poetry collection translated from any language into English; and five prizes of $1,000 to $1,500 for a single poem “composed in the traditional modes of meter, rhyme, and received forms.” Good luck, writers!
Academy of American Poets
Ambroggio Prize
A prize of $1,000 and publication by University of Arizona Press is given annually for a poetry collection originally written in Spanish by a living writer and translated into English. Norma Elia Cantú will judge. Deadline: February 15. Entry fee: None.
Academy of American Poets
Harold Morton Landon Translation Award
A prize of $1,000 is given annually for a poetry collection translated from any language into English and published in the United States during the previous year. Valzhyna Mort will judge. Deadline: February 15. Entry fee: None.
Arrowsmith Press
Derek Walcott Prize for Poetry
A prize of $2,000 is given annually for a poetry collection published in English during the previous year by a writer who is not a citizen of the United States. English translations of works originally written in another language are accepted. Deadline: February 15. Entry fee: $20.
Center for African American Poetry and Poetics/Autumn House Press
Book Prize
A prize of $3,000 and publication by Autumn House Press is given annually for a first or second poetry collection (or a work that intersects with poetry, including hybrid text, speculative prose, and translation) by a writer of African descent. Aracelis Girmay will judge. Deadline: February 15. Entry fee: None.
Finishing Line Press
Open Chapbook Competition
A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook. Manuscripts written in a language other than English are accepted when accompanied by an English translation. Deadline: February 15. Entry fee: $20.
Furious Flower Poetry Center
Furious Flower Poetry Prize
A prize of $1,500 and publication in Obsidian, the literary journal of Illinois State University, is given annually for a group of poems that explore Black themes. The winner also receives a $500 honorarium to give a reading at James Madison University. Poets who have published no more than one poetry collection are eligible. Roger Reeves will judge. Deadline: February 15. Entry fee: $15.
Omnidawn Publishing
First/Second Poetry Book Contest
A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a first or second poetry collection. Desirée Alvarez will judge. Deadline: February 16. Entry fee: $35.
Sarabande Books
Morton, McCarthy, and Sarabande Prizes
Two prizes of $3,000 each and publication by Sarabande Books are given annually for collections of poetry and fiction; in 2024, a new prize of $3,000 and publication will also be given for a collection of essays. For the Kathryn A. Morton Prize in Poetry, Hanif Abdurraqib will judge. For the Mary McCarthy Prize in Short Fiction, Lauren Groff will judge. For the Sarabande Prize in the Essay, Alexander Chee will judge. Deadline: February 15. Entry fee: $29.
West Chester University
Poetry Awards
Five prizes of $1,000 to $1,500 will be given annually for a single poem “composed in the traditional modes of meter, rhyme, and received forms” (Iris N. Spencer Poetry Award); a single poem written in haiku form (Myong Cha Son Haiku Award); a single poem written in sonnet form (Sonnet Award); a single poem written in villanelle form (Villanelle Award); and a single poem written in Spanish and accompanied by the English translation or translated into Spanish and accompanied by the English original (Rhina P. Espaillat Award). Second-place prizes of $500 will also be awarded for the Iris N. Spencer Poetry Award and the Myong Cha Son Haiku Award. Only undergraduate students who are enrolled in a United States college or university are eligible. Ernest Hilbert will judge. Deadline: February 16. Entry fee: None.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
“Words are the intricate bonds of language. Words make a family, a tribe, and a civilization. Language is the context of our experience.” Poet, novelist, and Native American scholar N. Scott Momaday speaks about the power of storytelling and his extensive writing career in a conversation with Dean Nelson from his home in New Mexico for the 2023 Writer’s Symposium by the Sea at Point Loma Nazarene University. Momaday died at the age of eighty-nine on January 24, 2024.
“I think I expect to suffer here, and my goal then is to suffer well or suffer skillfully.” In this conversation with Dawn Lanuza for the Fully Booked Chats series, Ocean Vuong discusses the differences between writing poems and novels, the question of whether literature can heal, and the story behind his name Ocean.
“Like a snail with a shell of sticks // — she loads them on her back — // Like a camel with a hump of sticks // — on her back, on her back — // Like a horse with a knight of sticks and a stick for a sword,” writes Valzhyna Mort in her poem “In the Woods of Language, She Collects Beautiful Sticks” published in the Academy of American Poets’ Poem-a-Day series. In her description of this poem, Mort explains how an inability to write another poem she was working on made her “feel homeless in language and in poetry” and that writing this poem became “a bit of homemaking” for her. Write a poem that reflects your own process when your mind wanders away from writing and you must find a way back into the home of language. Does it involve the vocabulary of domesticity, construction, or helpful creatures?
“Don’t stop writing, no matter what.” —Diana Khoi Nguyen, author of Root Fractures
Poets & Writers Magazine features editor India Lena González hosts this virtual event celebrating the ten debut poets featured in “Performing the Future: Our Nineteenth Annual Look at Debut Poets” from our January/February 2024 issue. The event includes readings by the poets as well as a conversation about their debut books, their influences and inspirations, and their individual paths to publication.
