Sometimes I Think That This Is What It Is to Write a Poem (and at Such Times I Am, Without a Doubt, a Monster of Grandiosity)
The author of peep considers the ecstatic freedom of writing poetry.
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The author of peep considers the ecstatic freedom of writing poetry.
“My writer’s brain picks up little pieces here and there and puts them together.” —S. L. Wisenberg, author of The Wandering Womb: Essays in Search of Home
The author of peep offers an exercise in negative capability.
“I had to not only transform into different people and places, but to also find myself within both of those.” —Victor LaValle, author of Lone Women
The authors of The Invisible Art of Literary Editing engage in a dialogue about textual doneness.
“Read more! Listen more! See more! Feel more! Take better notes!” —Laird Hunt, author of This Wide Terraqueous World
“I need to be authentic to my culture and invite readers to embrace the Vietnamese culture through my work.” —Nguyễn Phan Quế Mai, author of Dust Child
The author of The Art of Brevity: Crafting the Very Short Story offers a lesson in becoming a verbal junk collector.
“I write when I want to say something to someone in particular—but can’t.” —Aurora Mattia author of The Fifth Wound
The author of The Art of Brevity: Crafting the Very Short Story investigates the power of a single sentence, long or short.
“I literally was Damani throughout writing—somehow I became her.” —Priya Guns, author of Your Driver Is Waiting
The author of The Art of Brevity: Crafting the Very Short Story explores what is gained by cutting elements of a narrative.
“You will never get rid of the self-critical voice in your head.” —Colin Winnette, author of Users
The author of The Art of Brevity: Crafting the Very Short Story ponders the seductive power of laconic prose.
Tax season is coming up, but it doesn’t have to be intimidating. The author explains how writers can follow the rules to their advantage to protect their earnings.
Los Angeles press Write Bloody Publishing releases books by “troubadour poets” who can command the stage as well as the page. “We love getting knocked on our asses by honesty,” says Write Bloody founder Derrick C. Brown.
Two small presses, Rare Bird and Unnamed Press, opened North Figueroa Bookshop with the assistance of two major publishers, Grove Atlantic and MCD Books, which help support the store in exchange for dedicated shelf space and other perks.
Bill Henderson founded Pushcart Press with one goal: to empower overlooked writers to publish their own work. Fifty years later, Pushcart is still elevating independent publishers and authors with its annual prize anthology.
In partnership with the Academy of American Poets, the Guggenheim is refreshing its connection to poetry with a poets-in-residence program, through which the museum is reimagining its offerings to engage the community with verse.
The first lines of a dozen noteworthy books, including Welcome Me to the Kingdom by Mai Nardone and Feast by Ina Cariño.
The author of Sing Something True recounts the path to writing the memoir she was afraid to write, grieving her identity as a writer after rejection, and finding solace (and representation) after shifting focus away from publication.
Mariner Books executive editor Rakia Clark talks about unlocking the full potential of an author, how writers can shine in the query letter, and effecting meaningful change in the publishing industry.
The author of When Trying to Return Home describes her connection with journals that first published her stories, including Jabberwock Review and the Vassar Review.
Inspired by books and magazines she found discarded on the street, Oakland-based artist Alexis Arnold explores the vulnerability of printed media by transforming books into sculptures with crystallized borax.
Lambda Literary’s new executive director shares her goals for expanding inclusivity at the nonprofit by engaging writers across genres, mediums, and identities.