Genre: Poetry

International Short Story and Poetry Awards

Bedford Competition
Entry Fee: 
$11
Deadline: 
October 31, 2024
Two prizes of £1,500 (approximately $1,951) each and publication in the Bedford Competition anthology are given annually for a poem and a short story. Jessica Mookherjee will judge in poetry, and Olivia Maidment will judge in fiction. Submit a poem of up to 40 lines or a short story of up to 3,000 words with an £8.50 (approximately $11) entry fee by October 31. All entries are considered for publication. Visit the website for the required entry form and complete guidelines.

Poetry Prize

Lightscatter Press
Entry Fee: 
$30
Deadline: 
September 15, 2024
A prize of $1,000, multimodal publication by Lightscatter Press, and 25 author copies is given annually for a poetry collection or hybrid work written by an emerging writer. John Murillo will judge. Using only the online submission system, submit a manuscript of 48 to 64 pages with a $30 entry fee by September 15. Visit the website for complete guidelines.

Poetry Contest

Tennessee Williams & New Orleans Literary Festival
Entry Fee: 
$15
Deadline: 
October 15, 2024
A prize of $1,000 is given annually for a group of poems by a writer who has not published a chapbook or full-length book of poetry. The winner is also invited to give a reading at the Tennessee Williams & New Orleans Literary Festival in March 2025. Karisma Price will judge. Submit two to four poems totaling no more than 400 lines with a $15 entry fee by October 15. Visit the website for complete guidelines.

Paterson

8.13.24

William Carlos Williams’s multi-volume, mid-twentieth-century poem Paterson is purportedly inspired by the works of his contemporaries: James Joyce’s Ulysses, Ezra Pound’s The Cantos, T. S. Eliot’s The Waste Land, and Hart Crane’s The Bridge. Through his subject—the former mill town of Paterson, New Jersey—Williams provides a voice for American industrial communities. A launching pad for other artists’ work, the book inspired Jim Jarmusch’s 2016 film Paterson, about a bus driver and poet named Paterson in the city of the same name, and Robert Fitterman’s book Creve Coeur (Winter Editions, 2024), set in the segregated suburbs of his eponymous Missouri hometown—an illustration of contemporary America that mirrors the structure of Williams’s postwar epic. Write a poem that draws on specific observations of your neighborhood to express a wider perspective on life in the twenty-first century. Incorporate street names, local landmarks, and history as well as tidbits of everyday conversation.

Visions of America With Kaoukab Chebaro

Caption: 

In this installment of the Visions of America: All Stories, All People, All Places series hosted by the Institute of Museum and Library Services and PBS Books, Kaoukab Chebaro, head of Global Studies at the Columbia University Libraries, discusses the importance of first-person storytelling and her work in preserving the individual history of Arabs across the globe.

Growing a Garden

“In colonial times, gardens were utilitarian. A cross between a grocery store and a pharmacy. In the gilded age, they became an entrance to high society, a place of conspicuous display,” narrates the main character in Paul Schrader’s 2022 film Master Gardener, a man with a secret past who works as the horticulturalist of an estate owned by a wealthy dowager. This week write a poem about a garden, perhaps a large and well-known one visited by tourists, a seasonal garden tended by family members that you frequented as a child, or one you pass occasionally on a neighborhood walk. You might explore the functions of the garden; list colors, shapes, textures, and smells; or make conjectures about its guiding aesthetics. What can a garden reveal about its gardener and the space in which it resides?

Jason Koo: No Rest

Caption: 

“The reason why I favor long poems—not just writing them but reading them—is that it just feels like a much truer picture of the self, or selves.” In this Books Are Magic event, Jason Koo reads from his latest poetry collection, No Rest (Diode Editions, 2024), and discusses the narrative opportunities of long poems in a conversation with Bessie Flores Zaldívar.

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