Jump to navigation Skip to content
“The book itself is a meditation about growing up between an immigrant life and a queer life, between countries and between different kinds of kinship systems.” Gala Mukomolova discusses her debut collection, Without Protection (Coffee House Press, 2019), and reads her poem “X” in this installment of the Ours Poetica series, sponsored by Complexly and the Poetry Foundation.
In this recorded event, Terrance Hayes, Claudia Rankine, and Ocean Vuong, acclaimed authors and professors at New York University’s Creative Writing Program, read from their work and participate in a conversation together for a packed audience at NYU Skirball. Rankine is the recipient of the 2014 Jackson Poetry Prize.
Looking to publish your poetry collection? Try sending it to Howling Bird Press for a shot at a prize of $2,500 and publication.
Using only the online submission system, submit a manuscript of 48 to 72 pages with a $25 entry fee by August 21. Visit the website for complete guidelines.
Howling Bird Press is the publishing house of the creative writing MFA program of Augsburg University in Minneapolis, where it is staffed by graduate students enrolled in the program’s publishing concentration. The press’s annual book prize alternates genres each year, awarding fiction and nonfiction manuscripts in addition to poetry. In 2019, Lisa Van Orman Hadley won the Howling Bird Press Fiction Prize for her novel, Irreversible Things, which “follows three decades in the life of author-qua-narrator Lisa and her charismatic Mormon family, from childhood to puberty to adulthood.” In 2018, KateLynn Hibbard won the Howling Bird Press Poetry Prize for her poetry collection Simples, which “transports us back in time to search out the remedies and inner strength necessary to survive a hardscrabble life on the frontier plains.”
In this Poetry.LA interview, Lee Herrick speaks with Lynne Thompson about his appointment as California’s tenth poet laureate and reads a selection of poems from his books, including his latest collection, Scar and Flower (Word Poetry Press, 2019).
“Metaphors get under your skin by ghosting right past the logical mind.” In this animated TED-Ed video, poet Jane Hirshfield discusses the art and use of metaphors in our daily lives and in the works of Emily Dickinson, Langston Hughes, and Carl Sandburg.
In his poem “Self-Portrait at Twenty,” Gregory Orr demonstrates the short, personal lyric he’s known for and captures a moment in time in his life. Rather than include details about what occurred when he was twenty, Orr presents a series of stark, detailed images that create a sense of foreboding for what the year had in store for him. The poem begins with the lines: “I stood inside myself / like a dead tree or a tower.” Then, later in the poem, he writes: “Because my tongue / spoke harshly, I said: / Make it dust.” Take inspiration from Orr’s poem and write a self-portrait poem that captures what you felt at a specific age. Try to avoid revealing narrative details and instead, use your sense of imagery to allow the reader in to your state of mind.
“What I’m hoping is, ten years from now, a young Puerto Rican poet on the island or somewhere else knows that this is a possibility, that living a life with and through poetry is an honorable way of engaging with the world.” Ricardo Alberto Maldonado, the first Latino executive director and president of the Academy of American Poets, reflects on why he began writing and the importance of expanding the linguistic diversity of poetry in this PBS NewsHour interview with Jeffrey Brown.
In this 2023 AWP Conference & Bookfair event, National Book Award honorees Donika Kelly and Danez Smith read from their work and discuss the power of poetry for both authors and readers in a conversation moderated by the Ruth Dickey, executive director of the National Book Foundation.
It’s too hot to do much outdoors these last days of summer. So why not stay in and submit some of the sizzling writing you’ve completed this year to contests with a deadline of July 31 or August 1? Prizes include $5,000 for a fiction, poetry, or nonfiction manuscript-in-progress; $2,500 and publication for a short story; $2,000 and publication for a collection of lyric essays; and $1,000 and publication for a poetry book. All contests offer an award of $1,000 or more, and four have no entry fee. What have you got to lose?
Connecticut Poetry Society
Experimental Poetry Contest
A prize of $1,000 and publication in Connecticut River Review is given annually for an innovative poem. Richard Deming will judge. Entry fee: $15.
Delaware Division of the Arts
Individual Artist Fellowships
Established Professional Fellowships of $6,000 each and Emerging Artist Fellowships of $3,000 each are given annually to five to eight poets, fiction writers, and creative nonfiction writers who have lived in Delaware for at least one year prior to application. Entry fee: None.
Granum Foundation
Granum Foundation Prizes
A prize of $5,000 is given annually to a poet, fiction writer, or creative nonfiction writer to support the completion of a manuscript-in-progress. Up to three finalists will be awarded at least $500. A Translation Prize of at least $1,500 is also given. Entry fee: None.
Leeway Foundation
Art and Change Grants
Project grants of up to $2,500 each are given annually to women and transgender, transsexual, genderqueer, Two-Spirit, or otherwise gender-nonconforming poets, fiction writers, and creative nonfiction writers in the Greater Philadelphia area to fund art for social change projects. Entry fee: None.
Mason Jar Press
1729 Book Prize
A prize of $1,000 and publication by Mason Jar Press will be given annually in alternating years for a book of poetry or a book of prose. The 2023 prize will be given in poetry. Semi-experimental works are encouraged, and hybrid works as well as translations (with written permission from the original author) are also eligible. Chen Chen will judge. Entry fee: None.
Munster Literature Centre
Seán Ó Faoláin International Short Story Competition
A prize of €2,000 (approximately $2,198) and publication in Southword is given annually for a short story. The winner also receives a weeklong residency at the Anam Cara Writer’s Retreat in West Cork and accommodations to give a reading at the Cork International Short Story Festival in November. Entry fee: €19 (approximately $21).
Narrative
Spring Story Contest
A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, an essay, or an excerpt from a work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. Entry fee: $27.
New Millennium Writings
New Millennium Writing Awards
Four prizes of $1,000 each and publication in New Millennium Writings and on the journal’s website are given twice yearly for a poem, a short story, a short short story, and an essay that have not appeared in a print publication with a circulation over 5,000. Entry fee: $20.
Press 53
Award for Poetry
A prize of $1,000, publication by Press 53, and 53 author copies is given annually for a poetry collection. Tom Lombardo will judge. Entry fee: $30.
Radar Poetry
Coniston Prize
A prize of $1,000 and publication in Radar Poetry is given annually for a group of poems by a poet who identifies as a woman. Ellen Bass will judge. Entry fee: $20.
Red Wheelbarrow
Poetry Prize
A prize of $1,000 and publication in Red Wheelbarrow is given annually for a single poem. The winner will also receive 20 copies of a letterpress broadside of the winning poem, printed by Gary Young at Greenhouse Review Press. Ellen Bass will judge. Entry fee: $15.
Seneca Review Books
Deborah Tall Lyric Essay Book Prize
A prize of $2,000 and publication by Seneca Review Books is given biennially for a collection of lyric essays. The winner will also receive an invitation to give a reading with Hobart & William Smith Colleges. Wendy S. Walters will judge. Cross-genre, hybrid, and verse forms, as well as image and text works, and multilingual submissions in which English is the primary language are all eligible. Entry fee: $27.
Sewanee Review
Fiction, Poetry, and Nonfiction Contest
Three prizes of $1,000 each and publication in Sewanee Review are given annually for a single poem or group of poems, a short story, and a creative nonfiction essay. Major Jackson will judge in poetry, Megan Mayhew Bergman will judge in fiction, and Alexander Chee will judge in creative nonfiction. Entry fee: $30.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
“I am afraid / that the mouths I feed will turn against me / will refuse to swallow in the silence / I am warning them to avoid.” Audre Lorde reads her poem “Blackstudies,” which appears in her book New York Head Shop and Museum (Broadside Press, 1974), in this video from the Poetry Center’s American Poetry Archives collection at San Francisco State University.
